About the book:
- Publisher : National Geographic
- Publication date : October 28, 2025
- Print length : 464 pages
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About the author
JIMMY CHIN (foreword) is a National Geographic photographer, award-winning film director, renowned mountain climber, and bestselling author. His photography book There and Back became a New York Times bestseller in 2021; his documentary film Free Solo won the Academy Award for Best Documentary Feature. Nyad, his first scripted feature, starring Annette Bening and Jodie Foster, was nominated for two Academy awards.
My Thoughts 
Before I ever learned to read, I learned to look. My grandfather kept neat stacks of National Geographic magazines in his den — golden spines lined like treasure, each issue a portal. I remember flipping through the glossy pages, the scent of paper and ink as much a part of the experience as the photos themselves. Faces, creatures, storms, and ruins — the world felt vast and intimate all at once.
The Photographs rekindles that same sense of wonder, distilled into one breathtaking collection. Across more than 250 images, National Geographic’s legendary photographers remind us what it means to see — truly see — our planet and ourselves. There’s the iconic Afghan girl, her gaze as piercing now as it was decades ago. The ghostly prow of the Titanic resting on the ocean floor. And there — a line of surfers, tiny yet fearless, framed against an impossible blue wave. That image, especially, feels like a heartbeat: humanity poised at the edge of nature’s vastness, daring and small all at once.
What makes this volume remarkable isn’t just its scope — though it spans continents and decades — but its restraint. Each image stands almost alone: no essays, no captions beyond a name, a place, a year. That sparseness lets the photography breathe, invites silence, reflection. The book itself is beautifully made, large enough to do justice to its subjects, and designed with reverence rather than spectacle.
For anyone who grew up tracing the edges of the world through National Geographic, this collection is both time capsule and testament. For newcomers, it’s a revelation — proof that the human eye, when paired with patience, empathy, and craft, can still surprise us.
The Photographs isn’t merely a coffee-table book. It’s a reminder that beauty has always been both fragile and ferocious — and that our world, still, is worth looking at closely.
Goes well with: a strong cup of Ethiopian coffee, a lazy Sunday morning, and a window that catches the light just right.















































