Book Review: Rip the Sky, by Mark Packard – with Giveaway

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About the book, Rip the Sky Cover Med Res Rip the Sky

  • Genre: Speculative Fiction / Fantasy / Science Fiction
  • Publisher: Bluestreak Publishing
  • Page Count: 317 pages
  • Publication Date: August 21, 2023
  • Scroll down for a giveaway!

After a shocking courtroom tragedy, a disturbed Vietnam veteran and the vindictive judge who sent him to prison become an unlikely pair of time travelers in a chaotic multiverse. The fallen angel who rescues them wants to guide them to a radiant new life. But first they must return to the scene of a ghastly crime.

Billy Worster was a naïve teenager ill-prepared for the gruesome realities of war. The sole survivor of a deadly massacre in a Vietnamese jungle, he avoided certain death only because he ran away when the shooting started. Riddled with guilt, he comes home to a dusty Texas farm with post-traumatic stress disorder and the crazy notion that he can fly in and out of parallel worlds.

As Billy struggles with addiction and questions his sanity, he is arrested on a drug charge and ends up in the courtroom of Judge Madeline Johnston, a bitter old judge tormented by a dark secret surrounding her father’s death. She callously tosses Billy into prison, but when a greedy executor files a lawsuit to steal his inherited land, Billy is hauled back to her courtroom in chains, where a stunning twist of fate launches them into the sky on an odyssey of discovery and healing.

Spanning forty years from the jungles of Vietnam through infinite, parallel worlds, Rip the Sky examines how the power of forgiveness can lead us toward a better life, no matter how many worlds we may live in.

Buy, read, and discuss this book:

Amazon | Goodreads


About the author, Mark Packard Author Photo cred Adair

Mark Packard spent the last 38 years as a trial attorney and is now retired from the courtroom and working as a mediator. In a life before lawyering he was a journalist and regrets waiting far too long before returning to his roots to write his first novel, Rip the Sky. Though he knows he should have jumped off the merry-go-round years ago, he hopes to hang around long enough to craft a few more tales.

Connect with Mark:

Website | Amazon | Goodreads | LinkedIn | Facebook | BookBub


My Thoughts MissMeliss - 2023

In many ways, Mark Packard’s debut novel Rip the Sky is a war story. Actually, it’s a war story on many levels. There’s the literal war that the main character, Billy Worster, fights in Viet Nam. There’s the mental war between the PTSD he suffers as a result of his experiences in the jungle. There’s the chemical war Billy fights against the drugs and alcohol that make his pain recede. And there’s the metaphysical one, fought not just by Billy, but also by the Judge whose fate is tied to his: Madeline Johnston, the battle for forgiveness of self and others, the fight for a clear conscious and an easy mind.

Author Mark Packard tells all of these war stories elegantly. His descriptions of both the physical – the jungle, the farm where a woman named Rachel gives Billy a literal lifeline, the unforgiving courtroom where Madeline presides – and the metaphysical – the “patch of Eden” that both characters long for – are visceral, cinematic and incredibly specific. His use of language – Billy is not a particularly bright person on the surface – or at least, not academically – while Madeleine is analytical, hiding behind the law as much as interpreting it- is deft. Each word feels carefully crafted, but the overall story never seems contrived. The events that are depicted are often grim, but everything is grounded so well in emotional truth that the story is compelling. I read this book straight through in one evening (then skimmed it a bit later so it would be fresh for this review.  I was rooting for Billy all the way through, even when he made poor choices. By the end, I was willing Madeleine to make the right choices, too.

While this novel isn’t obvious science fiction, there are elements of fantasy flowing through it, and those elements are organic, coming mainly from the capacity of the human mind to give us sanctuary from our own realities when we are at our lowest points. Of course, there’s also a fallen angel, so not all the fantasy is imagined. (Or is it? Aren’t the places we create in our minds as real as the spaces we inhabit?)  The term “speculative fiction” fades in and out of common use, but it’s the most applicable one for this unique novel.

Coming in at a meaty 317 pages, Rip the Sky immerses the reader in Packard’s prose and his gripping, well-paced storytelling. This novel is gritty in places. There is drug use, alcohol abuse, and violence in these pages. But the story is brilliant both as a piece of literature, and as an object lesson in two things: the resilience of the human spirit, and the need to better care for our military veterans.

Goes well with: Prime rib and pinot noir.


Giveaway

ONE WINNER

Signed hard copy of Rip the Sky + $50 Amazon gift card

(US only; ends midnight, CST, 10/13/23)

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Book Review and Giveaway: Things Get Ugly by Joe R. Lansdale

BNR Things Get Ugly

 

About the book, Things Get Ugly: The Best Crime Stories of Joe R. Lansdale Cover Things Get Ugly

  • Crime Fiction / Mystery / Short Stories
  • Publisher: Tachyon Publications
  • Date of Publication: August 15, 2023
  • Number of Pages: 352 pages
  • Scroll down for Giveaway!

Edgar Award winner Joe R. Lansdale (the Hap and Leonard series) returns to the piney, dangerous woods of East Texas. In this career retrospective of his best crime stories, Lansdale shows exactly why critics continue to compare him to Elmore Leonard, Donald Westlake, Flannery O’Connor, and William Faulkner.

  • In the 1950s, a young small-town projectionist mixes it up with a violent gang.
  • When Mr. Bear is not alerting us to the dangers of forest fires, he lives a life of debauchery and murder.
  • A brother and sister travel to Oklahoma to recover the dead body of their uncle.
  • A lonely man engages in dubious acts while pining for his rubber duckie.

In this collection of nineteen unforgettable crime tales, Joe R. Lansdale brings his legendary mojo and witty grit to harrowing heists, revenge, homicide, and mayhem. No matter how they begin, things are bound to get ugly—and fast.

Praise for this book:

“A terrifically gifted storyteller.” -– Washington Post Book Review  

“One of the best crime writers in the business.” — Ace Atkins, New York Times bestselling author of The Revelators  

“While Lansdale’s work is as varied as the regions of Texas, there is one common link through it all: his brilliant storytelling.” –- Grimdark Magazine

Buy, read, and discuss this book:

Tachyon PublicationsSigned & Personalized | Goodreads


About the author, Joe R. Lansdale Author Photo Lansdale

Joe R. Lansdale (Savage Season, The Donut Legion) is the internationally bestselling author of more than fifty novels, including the popular, long-running Hap and Leonard novels. Many of his cult classics have been adapted for television and film, most famously the films Bubba Ho-Tep and Cold in July and the Hap and Leonard series on Sundance TV and Netflix. Lansdale has written numerous screenplays and teleplays, including for the iconic Batman: The Animated Series. He has won an Edgar Award for The Bottoms and ten Stoker Awards, and he has been designated a World Horror Grandmaster. Lansdale, like many of his characters, lives in East Texas, with his wife, Karen.

Connect with Joe:

Website | Instagram | Facebook  | Twitter | Amazon | Goodreads | Bookbub


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My Thoughts MissMeliss - 2023

In the second introduction to this collection of short stories, Things Get Ugly, the author, Joe Lansdale, states that he doesn’t use trigger warnings, which I appreciated, though I’d argue that that is a form of trigger warning. Still, if you haven’t read any of Lansdale’s previous work (I haven’t), you should know that his use of coarse language, rough sex, and extreme violence makes Stephen King’s work seem PG-13. So, yes, these stories are gritty, earthy, violent. They combine horror, noir, and pulp-fiction. They will push you to the edge of your comfort zone, and leave you feeling a little squeamish. But good writing and good storytelling should provoke a reaction.

They are also BRILLIANT. Lansdale’s writing is vivid and visceral. Even when I was confronted by content I would not typically choose (the first entry in this collection, “The Steel Valentine” would require an entire page of entries at Does the Dog Die, if it were included there), I could not stop reading. The characters leap off the page, capture you in a strangle-hold, and do not let go until you’ve finished their story.

For the most part, these are not people I’d want to meet, but the stories are quirky, original, and interesting. Sure, some of them, like the afore-mentioned “The Steel Valentine” feel like the violence is almost gratuitous, but then there’s “The Ears,” which is the kind of Hitchcock -meets-O. Henry thriller that I love, and “Billie Sue,” which manages to be poignant in places. “Santa at the Cafe” is perfectly layered, and truly funny, while “Dead Sister,” is a truly unique take on ghouls (and may I take a moment to applaud the author for understanding the ghouls and zombies are totally different things?) .  And then there’s “Mr Bear,” which introduces us to a side of Smokey Bear (yes, that Smokey Bear) that I almost wish I could un-read, except that as dark and twisted as it is, it’s also perfect.

Things Get Ugly includes nineteen stories in all, each with a short introduction from the author. I’m not going to review every one of them. They may not be everyone’s cup of tea – or fifth of gin – but they’re definitely worth the time spent reading, and you can tell that the author put care into every word. The beauty of short story anthologies is that you can read one, skip around in the book, or even keep it for bathroom reading (though if you’re like me, your feet will fall asleep if you do that).

Goes well with: A juicy steak and a glass of Scotch.


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THREE WINNERS:

Each receives print copies of

Things Get Ugly & Born for Trouble

(US only; ends midnight, CDT, 8/18/23)

 

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08/08/23 Bibliotica Review
08/08/23 Hall Ways Blog Excerpt
08/09/23 The Clueless Gent Review
08/09/23 LSBBT Blog BONUS Stop
08/10/23 The Book’s Delight Review
08/11/23 Forgotten Winds Review
08/12/23 Jennie Reads Review
08/13/23 The Real World According to Sam Review
08/14/23 It’s Not All Gravy Review
08/15/23 StoreyBook Reviews Review
08/15/23 Chapter Break Book Blog Excerpt
08/16/23 Rox Burkey Blog Review
08/17/23 Boys’ Mom Reads Review

 

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#Book #Review and #Giveaway: Dreams of Arcadia, by Brian Porter

BNR Dreams of Arcadia

 

About the Book, Dreams of Arcadia Cover Dreams of Arcadia

  • Genre: Contemporary Fiction
  • Publisher: Legacy Book Press
  • Date of Publication: June 27, 2023
  • Number of Pages: 222 pages
  • Scroll down for Giveaway!

Veterinarian Nate Holub takes a job in his father’s Texas hometown, wondering if a city boy has what it takes to be a country vet. As he struggles to adapt, Nate reconnects with his family and discovers that his father’s accidental death thirty years earlier was much more complicated than he realized.

Nate delves into the past, afraid of what he might find. He encounters a resentful cousin, a wary town patriarch, a reclusive uncle, a beguiling hidden garden, and a mysterious illness. Nate is drawn to the Holub family farm, where he seeks refuge in nature and tries desperately to reach Viola, his inscrutable grandmother. The farm is a place that haunts his memory, a place where dark secrets dwell.

Dreams of Arcadia is a touching portrait of an American family. It explores the enduring ties that hold us together and bind us to the land.

Buy, read and discuss this book:

AmazonBarnes & Noble | Bookshop.orgKobo | Goodreads

 

 


About the Author, Brian Porter Author Photo Porter

Brian Porter lives in College Station, Texas, where he works as a veterinary pathologist.

He previously worked in private veterinary practice and once taught high school chemistry.

Dreams of Arcadia is his first novel.

Connect with Brian:

Instagram | Facebook | Amazon | BookBub | Goodreads


My Thoughts MissMeliss - 2023

On the surface, Brian Porter’s debut novel Dreams of Arcadia is a simple story of a man returning to his rural roots. But in the deft hands of this virtuoso storyteller, Nate Holub’s story is more than merely simple. Rather, it explores the complex relationships we all have with the places where we grew up, the people who raised us, and the dreams that were dear to us, some of which never came true, and some of which evolved into unexpected choices. In this case, we have a “big city” veterinarian who has returned to his rural Texas hometown to discover new facets of himself, and the father who died thirty years before. Nate is a father himself, which adds depth to the story. In addition to discovering truths about his family, he must also provide a strong foundation for his girls – one that is tied to the land he came from,
but not necessarily beholden to it.

I’ve worked in pet rescue, so I’m a sucker for an animal story, even when it’s really a people story, as Dreams of Arcadia is.  In this case, I felt making Nate a veterinarian was a wise choice. Moments with the animals and vet staff interjected light and humor when they were needed, but also provided poignant counterpoint at times. I got a kick out of Nate limiting a local farmer on the amount of medicine he’d provide, so he wouldn’t treat the entire rural community. I also think Nate’s rapport with animals also softened some aspects of the story, like his relationship with his cousin Wink – who seems to have an issue with him – and with his aging grandmother Viola and his aunt Ruthie and her family.

I appreciated the pacing of this novel. Nothing was rushed, but neither did the story feel like it was too slow. Rather, this was the literary equivalent of a balmy summer day. You know crisper weather is lurking behind the sunny skies but you have time to savor the light and heat. I also loved the vivid descriptions of the land, especially the gardens  – including one that’s essentially secret – where Nate finds himself. The land in this novel is truly a character in its own right. Part family drama, part “All Creatures Great and Small – Texas edition,” and part mystery, this book has elements to please any reader, and what’s better is that they form a cohesive whole and satisfying story.

Goes well with a summer salad with garden fresh greens, nuts and berries, and a glass of sweet tea.

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Signed copy of Dreams of Arcadia.

(US only; ends midnight, CDT, 7/7/23)

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Visit the Other Great Blogs on This Tour

Click to visit THE LONE STAR LITERARY LIFE TOUR PAGE for direct links to each blog on this tour, updated daily, or visit each blog directly:

06/27/23 Shelf Life Blog Excerpt
06/27/23 Hall Ways Blog BONUS Stop
06/28/23 Reading by Moonlight Review
06/28/23 LSBBT Blog BONUS Stop
06/29/23 Chapter Break Book Blog Notable Quotables
06/30/23 Bibliotica Review
07/01/23 Jennie Reads Review
07/02/23 Forgotten Winds Author Interview
07/03/23 The Plain-Spoken Pen Review
07/04/23 StoreyBook Reviews Deleted Scene
07/05/23 The Book’s Delight Review
07/06/23 Rox Burkey Blog Review

 

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LSBBT BOOK REVIEW

Review: Dangerous Blues, by Stephen Policoff

About the book, Dangerous Blues: Kind of a Ghost Story DangerousBlues

• Publisher: Flexible Press (October 3, 2022)
• Paperback: 257 pages

Dangerous Blues explores a dark yet comic storm of family relationships laced with a buzz of the supernatural, where the fleeting light of the present must constantly contend with the shadows of the past.

Paul Brickner and his 12-year-old daughter Spring are subletting an apartment in New York City. They came to escape the sorrow of their empty house in upstate New York after Nadia, Paul’s wife and Spring’s mother, dies.

Spring quickly takes to her new Manhattan middle school life, including making a new friend, Irina. Through that connection, Paul meets Irina’s mother, Tara White, a blues singer, and perhaps just the spark Paul has been missing.
But Paul begins to fear that he is being haunted by Nadia, who appears to him in fleeting images. Is he imagining it, or is she real? Tara, who grew up in the inscrutable New England cult known as the Dream People, is haunted, too, hounded by her very real brothers to return to the family, and to give back the magical object—a shamanic Tibetan vessel—which they claim she stole from them.

Paul’s cousin Hank, a disreputable art dealer, becomes obsessed with this object. Meanwhile, Paul’s father-in-law, an expert on occult lore, tries to steer Paul toward resolution with Nadia’s ghost.

Driven by Paul’s new circle of odd and free spirited iconoclasts, Dangerous Blues asks the question: when do you let go, and what are you willing to let go of?

Buy, read, and discuss this book:

Amazon | Barnes & Noble | Goodreads


About the author, Stephen Policoff Stephen Policoff

Stephen Policoff’s 1st novel, BEAUTIFUL SOMEWHERE ELSE, won the James Jones Award, and was published by Carroll & Graf in 2004. His essay about his disabled daughter’s experience in music therapy, “Music Today?” won the Fish Short Memoir Award and was published in FISH ANTHOLOGY 2012 (West Cork University Press, Ireland). It subsequently appeared in KINDLING QUARTERLY and has been widely republished on music therapy sites all over the world. His memoir, SIXTEEN SCENES FROM A FILM I NEVER WANTED TO SEE, was published by Monkey Puzzle Press in January 2014. His 2nd novel, COME AWAY, won the Mid-Career Author Award, and was published by Dzanc Books in November 2014. He teaches writing in Global Liberal Studies at NYU.

Connect with Stephen:

Website | Goodreads


My Thoughts

MissMelissI love a good ghost story, and I love music, so Dangerous Blues was a great match for me. Going in, I didn’t realize this was a sequel to author Stephen Policoff’s earlier works, but it reads very well as a stand-alone novel. I didn’t feel like I had to play catch-up to understand what was going on because it was quite simple: Paul and his daughter Spring need to get away from the house where Nadia (his wife, her mother) died, so they sublet an apartment in New York. I loved the opening scenes showing their arrival in the apartment, and the mix of the owner’s be;longings and the emptiness, as well as the fact that said owner (Rose, Spring’s aunt) left them plates of food for their first night.

What really hooked me on this novel, though, were the details. Paul walks into Spring’s room to find that instead of choosing between two not-very-appealing bunks, she’s bundled up on the floor, early in the novel, and its the sort of scene only a parent would think to write. I also liked that Nadia’s ghost may or may not merely be a dream, a manifestation of Paul’s sadness, though her reality does not change the fact that both father and daughter must grieve and move on.

The entire novel had a very bluesy feeling to it, which tied nicely to the presence of Tara, blues singer, and mother to Spring’s best friend in New York. I felt like each character had a motif – Spring’s was bright and somewhat staccato, Paul’s was slow, told in long saxophone riffs, Irina was almost bop, Tara was the bass line, tying it all together. All four themes were distinct, but blended into something harmonious both with and without Nadia’s quiet melody weaving through it all, and eventually fading. It was this musicality that made me enjoy the book so much – the language, too, was very specific and evocative.

I was expecting a novel about grief to be relentlessly dark, but Policoff is more nuanced that that, and while there is sadness, there are also moments of joy and hope.

Overall, I felt the author’s storytelling was very organic and his characters were interesting and dimensional. I liked this book enough that I want to read the stories that came before it.

Goes well with a proper New York style hotdog, purchased from a sidewalk cart.


Visit the Other Participants on this Tour

Tuesday, November 1st: 100 Pages a Day…Stephanie’s Book Reviews

Wednesday, November 2nd: Instagram: @on_a_sandbar

Thursday, November 3rd: Instagram: @feliciaisbooked

Tuesday, November 8th: Instagram: @readergirlie

Wednesday, November 9th: Instagram: @meghans_library

Thursday, November 10th: Instagram: @turnxthexpage

Friday, November 11th: Instagram: @pazthebookaholic

Monday, November 14th: Instagram: @abduliacoffeebookaddict23

Wednesday, November 16th: Bibliotica

Thursday, November 17th: Instagram: @enthuse_reader

TBD: Monday, November 7th: Instagram: @books_and_biewers

TLC Book Tours

Review: An Open Door, by Anne Leigh Parrish

An Open DoorAbout the book, An Open Door

  • Paperback: 270 Pages
  • Publisher: Unsolicited Press (October 4, 2022)

It’s 1948 and the freedom granted women by the Second World War is gone. Edith Sloan, earning her doctorate, is told by her law student husband to cancel her academic plans. His bright future requires a certain kind of wife: one in the kitchen making dinner for important guests. Frustrated and defiant, Edith leaves him but returns when his begging letters become too much. Trapped by marriage and her husband’s ambition, Edith struggles to find her footing and the means to her own survival.

Purchase and discussion links for this book:

Amazon | Goodreads


Anne Leigh ParrishAbout the author, Anne Leigh Parrish

Anne Leigh Parrish lives in a forest in the South Sound Region of Washington State. She is the author of the moon won’t be dared; a winter night; what nell dreams; maggie’s ruse; the amendment; women within; by the wayside; what is found, what is lost; our love could light the world; and all the roads that lead from home.

Connect with Anne:

Find her online at anneleighparrish.com.


My Thoughts MissMeliss

I haven’t read an Anne Leigh Parrish book since I read By the Wayside in 2017, I’ve been reading a lot of novels set during World War II, lately so the first thing that I really appreciated about Anne Leigh Parrish’s most recent novel, An Open Door, is that it’s set in 1948 – after the war but before the Civil Rights movement of the 60s. This is a period that isn’t tackled a lot in fiction, and it should be, because it’s such a complex period.

Also complex is the main character of this novel. Edith is another of author Parrish’s strong female characters, and this novel is very much about her awakening. It’s not a coming-of-age story – Edith is an adult when we meet her – but she’s working in a government office, and has a boyfriend studying law at Harvard on the G.I. bill, and, like many young women, she’s caught between what society (and Walter) expect from her, and what she wants for herself.

Parrish’s characters are her strong point. Every one of them is dynamic and dimensional, but what I really loved about this book is that her prose – whether dialogue or description – is very graceful. Fluid, even. At 270 pages, this isn’t particularly short, nor is it overlong, but the language sings on the page, and that made the story really enjoyable. Also brilliant are the little nuances she puts in every scene, making the simple act of turning off a hot plate and forgoing a cup of tea an expression of Edith’s dissatisfaction. “Well-crafted” does not begin to describe this story.

Overall, I feel An Open Door is just that. This novel opens the door, for Edith, and for us as readers,  to feminism, to self-worth, and to what one really desires out of life. I recommend this to anyone who was raised on novels like A Tree Grows in Brooklyn, which the author has Edith considering in the opening chapter. It’s the perfect blend of social commentary, gentle sarcasm, and a compelling and interesting story.

Goes well with: a standing rib roast, creamed spinach, and potatoes au gratin, which Walter didn’t get to eat.


00-tlc-tour-hostVisit the Other Great Stops on This Tour:

Monday, October 3rd: @spaceonthebookcase

Wednesday, October 5th: BookNAround

Thursday, October 6th: @thebphiles

Monday, October 10th: Girl Who Reads

Tuesday, October 11th: @mom_loves_reading

Wednesday, October 12th: @suzylew_bookreview

Thursday, October 13th: @fashionablyfifty

Monday, October 17th: @lindahamiltonwriter on TikTok

Tuesday, October 18th: Bookchickdi

Wednesday, October 19th: @nurse_bookie

Wednesday, October 19th: Books, Cooks, Looks

Thursday, October 20th: @pickagoodbook

Friday, October 21st: Kahakai Kitchen

Monday, October 24th: Bibliotica

Tuesday, October 25th: @cmtloveswineandbooks

Wednesday, October 26th: @wovenfromwords

Thursday, October 27th: Run Wright

TBD: Monday, October 3rd: @whatlizziereads

TBD: Thursday, October 20th: @tammyreads62

Review: The Deep Translucent Pond, by James Shelley

Deep Translucent PondAbout the book, The Deep Translucent Pond

  • Publisher ‏ : ‎ Adelaide Books (February 5, 2022)
  • Language ‏ : ‎ English
  • Paperback ‏ : ‎ 192 pages

In The Deep Translucent Pond, a 40 year old attorney, Jerome Konigsberg, and 30 year old nurse, Natalija Gasper, are winners of poetry fellowships which allow them rare access to a once famous, now reclusive poet with the nom de plume, The Black Magus. At their first meeting the Black Magus “hijacks” the fellowship, proclaiming it the final piece of a secretive ten-year project known as the Triangulum, its goal: The re-enchantment of the world.

The key to re-enchantment is The Deep Translucent Pond which the Black Magus has identified as “a hideout of the fugitive gods.” If he can reach into it—as placid as a reactor cooling pool—and retrieve a mysterious object from the bottom, re-enchantment will be ignited. He elaborately recruits his two fellowship “students” to help. For their part, they accommodate his severe eccentricities in exchange for flashes of insight into their lives and a feeling that he is guiding them to a higher place.

Buy, read, and discuss this book:

Amazon | BookSirens | Goodreads


James ShelleyAbout the author, James Shelley

James Shelley has spent his professional life shifting between the underworld and higher places. He’s been a psychiatric attendant, land surveyor, arts critic, mental health case worker, archivist for the Rockefellers, and a bagpiper playing at the funerals of men and women he’s never met. As an educator, his innovative work at an Ohio college supporting at-risk male students has attracted national media attention, including The Atlantic and NPR.
As a writer, Shelley started out writing plays for experimental theatre before shifting to fiction, early efforts earning him an Ohio Arts Prize. In his poetry and fiction, he has always been fascinated with how prosaic moments can unexpectedly transcend, expanding into spaces that were not there before.

Connect with James:

Website | Amazon Author Page | Goodreads

 

 

 


My Thoughts

MissMelissI’m woefully late in posting this review, but it’s because my life has been chaotic lately. The Deep Translucent Pond is an engaging and interesting novel that explores the process of writing, but also shows us how writing helps us process change and growth as well. Three characters: The Black Magus (not his real name, obviously) is an aging recluse who was once a famous poem. Every year he takes on two students and in this year the lucky two are Jerome, an attorney, and Natalija, a nurse. The three meet initially at a local cafe, but subsequent meetings are at the Magus’s home, where they sit in the shape of a triangle.

When the Magus called attention to an image of The Last Supper, I was very concerned this novel would be an imitation of The DaVinci Code, but it was not. Instead, that image was used to show off the power of triangles and pyramids, which continues to be a theme throughout the story. “A pyramid cannot be pushed over,” the Magus states, and what is implied is that the three of them will, over the course of their work together, form a cohesive whole.

In addition to the physics and metaphysics of triangles and pyramids, this novel explores the concept of finding our purpose – our true calling – in life, and how engaging that purpose can change – or in this case enchant the world. Similarly, author James Shelley enchants his readers. His use of dialogue is specific and appropriate to each character, and he has also created the poems (dubbed writings) of each character as well. Shelley has also chosen different focal characters for each chapter, which gives us different perspectives on the other two. In a way, the setup is reminiscent of Sartre’s No Exit, except that this novel is set on contemporary earth, and these characters genuinely like each other. Perhaps, then, every such triangle – or Triangulum – will have such a superficial similarity.

Where this book shines most is with the exploration of the writer and their writings, and how each informs the other. It’s a worthy read for artists, writers, and anyone who appreciates both.

Goes well with: piping-hot mugs of hot tea, and anisette toast.

 

Excerpt and Giveaway: Paper Targets by Patricia Watts

BNR Paper Targets

 

About the book, Paper TargetsCover Paper Targets 1

  • Suspense / Literary Fiction / Women’s Fiction
  • Publisher: Atmosphere Press
  • Pages: 324 pages
  • Publication Date: May 3, 2022
  • Scroll down for a giveaway!

Everyone knew that Roanne never got angry­—until the night she killed her ex-husband and herself.

Roanne, a nice, suburban lady in her sixties who works at a Hallmark shop and volunteers at the Food Bank in Round Rock, Texas, calls her lifelong friend, Connie, confesses to murder, then puts the gun to her own head. Connie, spurred by Roanne’s last words about a lifetime of unspoken rage, sets aside her work as a cozy mystery writer and cupcake shop owner to confront the men who have stolen her dignity while she remained silent, including a bully brother, a rapist, and an ex-spouse. On a journey to reclaim her inner power and to make peace with the loss of her treasured friend, Connie’s mission is to avoid the same tragic path as Roanne, but she takes along a gun, just in case.

With pathos and humor, Paper Targets, by Patricia Watts, calls us to speak our own narratives, even when it is uncomfortable or risky, and shows us the magnificence of a friendship that transcends time.

Buy, read, and discuss this book:

Amazon | Author’s Website | Barnes & Noble | Goodreads

 


About the author, Patricia WattsAuthor Photo Watts

Patricia Watts worked as a journalist for more than 20 years for newspapers in Texas, Hawaii, and Alaska. Following her news career, she tried her skill as a paralegal and then spent ten years investigating discrimination cases for the Alaska Human Rights Commission. Her novels include: Ghost Light and The Big Empty, crime mysteries co-written with Alaska author Stan Jones; The Frayer, suspense noir; and Watchdogs, a steamy thriller. Her home base is San Diego. She earned her B.A. in journalism at Humboldt State in California. She is the mother of a son and daughter and has eight grandchildren.

Connect with Patricia:

Website | Amazon | BookBub | Goodreads | Reedsy Discovery

 

 


Read an excerpt from Paper Targets

February 2019

A slurp and a gulp. The knock of something solid against the surface next to the phone. Common noises on the other end of the line—she’s taking a drink, setting down a glass.

Then—the ear-splitting boom of a gunshot, the shallow thud of a weight hitting the floor.

I scream her name.

No noises now.

My best friend is dead.

 

XTRA IG 1At Roanne’s funeral reception, the eagerness for answers was thicker than the abundant short ribs set out next to the potato salad and baked beans. The guests had no appetite. They wanted to sink their teeth into why Roanne chose to die the way she did. And they were all looking to me, her closest friend for fifty years.

People had driven to Round Rock from other parts of Texas or from farther away to spend the morning at the church, midday at the cemetery, and the afternoon gathered at the home of Roanne’s sister, Darla.

They leaned out and asked, “Why, Connie?” as I walked through Darla’s living room, taking small, deliberate sips from a glass of iced tea, avoiding eye contact, unable to respond.

Roanne had called me that night, at three minutes after eleven. I’d hit the TV “off” button, was headed to bed; I had stayed up too late again, hooked on my latest Netflix binge. The words we had exchanged played back to me with every shiver and stab to my heart that I had felt then:

“I got the bastard,” she said. From the hollow sound of her voice, I knew her phone was on speaker. “Straight through the balls.” Her words shook.

“Ro? You’re scaring me, girl,” I said. “Got who?”

She was breathing hard, with a sharp, staccato, “Uh, uh …”

“Is someone with you?”

“Not anymore. Just me, myself, and I,” she said between a snicker and a sob.

“Are you at home? I’ll come get you.” My adrenalin was pumping. Something terrible had happened or was about to happen, but what? I could make the ninety-five-mile drive from San Antonio to Round Rock in an hour and ten. I switched my phone to speaker and pulled a pair of leggings on under my nightshirt.

“Don’t bother, I’ll be done soon.” She breathed in, a deep reverse sigh, like she was struggling to find the strength to get the words out. “The anger. You take it and take it, and one day you see there’s no way out. You’re trapped.”

“You’re angry? With whom?”

“With Johnny, with the whole goddamn male establishment, my daddy, the school bullies, the boss, the superintendent, the judge, the lovers, husband, ex-husband, the smartass at Home Depot, the whole lot of  ’em, every Tom, Dick, and Harry.”

Her words seemed silly and frightening. “That’s a bunch to take on by yourself. Why don’t we talk about it, regroup?” I needed to get between her and whatever it was that was galloping, like my heartbeat, toward her. Couldn’t you find someone’s location on a cell phone? But you had to set that up, and I had had no reason to before.

“Now what would Judd do?” she said.

I pulled the name from the past through my memory to the present. It didn’t fit in the moment. “Judd? Mr. Asher from senior social studies?”

“You know what I really liked about Mr. Asher?”

“He looked like David Cassidy?” Giggle, Roanne. Be okay, Roanne.

“Exactly, that too.” I pictured her smiling through the pain in her voice. “He seemed to have all the answers, didn’t he? Only he wanted us to figure things out on our own.”

I stepped into my running shoes, left the laces untied. “What does Mr. Asher have to do with—”

“Figure it out for yourself. Speak up, Con. Don’t let them have the final say.” Roanne’s words slurred and trailed off. “It’s too late for me, but—”

“Hang on, it’s never too late.” I could feel the bad ending like the anticipation of an icy finger about to touch the back of my neck, raising goose flesh. I picked up my keys and purse. I headed for the garage. Keep talking, Roanne, please keep talking. “Tell me where you are, sweetie.”

Another intake of air. A gap of silence. A gulp. The boom. “Roanne!”

 


Enter a giveaway for Paper Targets

TWO WINNERS:

First Prize: Autographed copies of Paper Targets,

The Frayer, and The Big Empty;

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7/26/22 Bibliotica Excerpt
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7/27/22 Forgotten Winds Review
7/28/22 The Page Unbound Character Interviews
7/28/22 LSBBT Blog BONUS Promo
7/29/22 Writing and Music Review
7/30/22 All the Ups and Downs Playlist
7/30/22 StoreyBook Reviews Bonus Review
7/31/22 Boys’ Mom Reads Author Video
8/1/22 Jennie Reads Review
8/2/22 It’s Not All Gravy Notable Quotables
8/3/22 The Plain-Spoken Pen Review
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Review and Giveaway: Pictures of the Shark, by Thomas H. McNeely

BNR Pictures of the Shark

 

About the book, Pictures of the Shark

  • Short Stories / Southern Fiction / Coming of Age
  • Publisher: Texas Review Press
  • Date of Publication: July 12, 2022
  • Number of Pages: 205 pages
  • Scroll down for Giveaway!

Cover Pictures of the SharkA sudden snowfall in Houston reveals family secrets. A trip to Universal Studios to snap a picture of the shark from Jaws becomes a battle of wills between father and son. A midnight séance and the ghost of Janis Joplin conjure the mysteries of sex. A young boy’s pilgrimage to see Elvis Presley becomes a moment of transformation. A young woman discovers the responsibilities of talent and freedom.

Pictures of the Shark, by Houston native and Dobie Paisano award-winning author Thomas H. McNeely, traces a young man’s coming of age and falling apart. From the rough and tumble of Houston’s early seventies East End to the post-punk Texas bohemia of late eighties Austin, this novel in stories examines what happens when childhood trauma haunts adult lives.

PRAISE FOR PICTURES OF THE SHARK:

  •  “McNeely’s brilliant stories are filled with delicious menace and heartbreaking hope.” – Pamela Painter, author of What If? Writing Exercises for Fiction Writers and Fabrications: New and Selected Stories
  • “In these gorgeously crafted interlinked stories, Thomas McNeely demonstrates once again an uncanny ability to illuminate the darkest emotional corners of his characters with a vision that is as tender and compassionate as it is unflinching.” – Antonio Ruiz-Camacho, author of Barefoot Dogs
  • “With masterful prose, McNeely draws you down into emotional depths where your ambivalence and confusion show you at your most profoundly human. These stories hook you quickly and deeply and keep you even after they end. – C.W. Smith, author of Steplings, Buffalo Nickel, and Understanding Women

Buy, read, and discuss this book:

Purchase | Goodreads

 


About the author, Thomas H. McNeely

Author Photo McNeelyThomas H. McNeely is an Eastside Houston native. He has published short stories and nonfiction in The Atlantic, Texas Monthly, Ploughshares, and many other magazines and anthologies, including Best American Mystery Stories and Algonquin Books’ Best of the South. His stories have been shortlisted for the Pushcart Prize, Best American Short Stories, and O. Henry Award anthologies. He has received National Endowment for the Arts, Wallace Stegner, and MacDowell Colony fellowships for his fiction. His first book, Ghost Horse, won the Gival Press Novel Award and was shortlisted for the William Saroyan International Prize in Writing. He currently teaches in the Stanford Online Writing Studio and at Emerson College, Boston.

Connect with Thomas:

WEBSITE  |  FACEBOOK  |  TWITTER | AMAZON  | GOODREADS

Connect with Texas Review Press

WEBSITE | FACEBOOK  |  TWITTER


My Thoughts

MissMelissI love short stories. I mean, I love novels and biographies, but it takes a special kind of talent to tell a complete story in a relatively few words. In his eight-story collection, Pictures of the Shark, Thomas H. McNeely shows that he has a great amount of talent, and is using it wisely.

To be honest, he had me at the word “scraggly,” used to describe someone’s beard. I use that word, but most people I know (and most people I read) do not, so when I saw that word in the opening story, “Snow, Houston, 1974,” I knew that I would love the language this author uses, and I was not wrong. His stories are somber, even dark, but his prose rises from the page, and grabs you by the wrists demanding that you pay attention.

I found myself shivering when six year old Buddy Turner experiences his first snow in 1974. Having lived through two extreme winter storms in Texas (Dallas county, in my case, but still rare) I was hit in the gut with the description of the aftermath:

“Now, the weatherman reported gas fires and burst water mains and houses whose roofs had caved in. Some neighborhoods, he said, were without electricity or telephones. Buddy began to worry about Grandma Liddy. Grandma Liddy and he made plans to buy a cassette recorder with cigarette coupons, to write President Nixon and ask him why he lied, to build a miniature city out of matchboxes and toilet paper rolls. They had already started the city, chalking streets on the threadbare carpet in his mother’s old room.”

It’s simple language, matter of fact, and almost Hemingway-esque at times, but it’s effective.

In addition to McNeely’s use of language, I also appreciated his ability to find and convey the emotional tone of every piece. The early stories in Buddy’s life (though not necessarily in the book, as it jumps around in time a little) have threads of hope running through them. The stories where Buddy is older and disillusioned feel darker and have a bitter quality. The pieces where we see Buddy as a young man are laden with sadness and wasted possibilities. And yet, not a single story was dull or made me want to skim it. Rather, I was riveted. “Hester,” especially, had me fascinated because it’s really the only story where we have another perspective, and see Buddy through another person’s eyes.

Speaking of people, Buddy, his mother (Margot) and his father (Jimmy) are the central characters, and each one is interesting on their own. Buddy, of course, is the boy whose family is unhappy, and who seems to know too much and not enough, afraid of becoming his father, but also so close to doing so. Everything I learned about Margot made we wish for a collection from her perspective – her youth and young womanhood. Jimmy is a perfect tragic figure, and some of the scenes, where he seems about to resort to violence, but doesn’t, had me flashing back to my own memories of an abusive partner my mother once had.

In fact, the only reason I didn’t read all eight of these stories in one sitting was that the emotions were so vivid and plausible that I had to step away.

In the beginning of his book, Anna Karenina, Leo Tolstoy wrote, “All happy families resemble one another, but each unhappy family is unhappy in its own way.” In Pictures of the Shark, Thomas H. McNeely has given us a visceral look at an extremely unhappy family, and shown us how that unhappiness echoes through all their lives. This is made most evident in the final entry in this collection, “Little Deaths:”

“I’d come to the University as a National Merit Scholar, but now lived off my mother’s credit card. I never visited my mother, because she reminded me both of my rotten childhood and my receding promise: my AP classes, my high school English honors, the expectation even by my family that I would become a writer.”

Buddy Turner may never have become a successful author (or maybe he did, that’s for another collection) but his creator, Thomas H. McNeely has given us a masterpiece in gray tones and grim feelings.

Goes well with: black coffee and anisette toast.


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2 winners: autographed copy of Pictures of the Shark
2 winners: autographed copy of Pictures of the Shark

+ editorial critique of an excerpt (up to 20 pages) from an unpublished short story or novel.
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CLICK TO VISIT THE LONE STAR LITERARY LIFE TOUR PAGE FOR DIRECT LINKS TO EACH POST ON THIS TOUR, UPDATED DAILY, or visit the blogs directly:

7/5/22 Excerpt Shelf Life Blog
7/5/22 BONUS Promo Hall Ways Blog
7/6/22 Review Boys’ Mom Reads
7/6/22 BONUS Promo LSBBT Blog
7/7/22 Guest Post All the Ups and Downs
7/8/22 Review Bibliotica
7/9/22 Excerpt StoreyBook Reviews
7/10/22 Playlist Forgotten Winds
7/11/22 Review Jennie Reads
7/12/22 Author Interview Rox Burkey Blog
7/13/22 Review Reading by Moonlight
7/14/22 Review The Book’s Delight

 

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Review: The Door-Man, by Peter M. Wheelwright

About the book, The Door-Man

• Publisher: Fomite (February 1, 2022)
• Paperback: 388 pages

The Door-ManIn 1917, during the construction of a large reservoir in the Catskill hamlet of Gilboa, New York, a young paleontologist named Winifred Goldring identified fossils from an ancient forest flooded millions of years ago when the earth’s botanical explosion of oxygen opened a path for the evolution of humankind. However, the reservoir water was needed for NYC, and the fossils were buried once again during the flooding of the doomed town.

A mix of fact and fiction, The Door-Man follows three generations of interwoven families who share a deep wound from Gilboa’s last days. The story is told by Winifred’s grandson, a disaffected NYC doorman working near the Central Park Reservoir during its decommissioning in 1993.

The brief and provisional nature of one’s life on earth – and the nested histories of the places, people and events that give it meaning – engender a reckoning within the tangled roots and fragile bonds of family.

Buy, read, and discuss this book:

Indiebound | Amazon | Barnes & Noble | Goodreads


About the author, Peter M. Wheelwright

Peter-WheelwrightPeter is a writer, architect, and educator. He is Emeritus Professor at The New School, Parsons School of Design in New York City, where he taught design and wrote on matters of environmental philosophy, design theory, and social practices in the built and natural worlds. Peter comes from a family of writers with an abiding affection for the natural world. His uncle Peter Matthiessen was a three time National Book Award winner, and his brother Jeff Wheelwright is a writer of environmental non-fiction. Educated at Trinity College where he studied painting and sculpture, he went on to receive his Master in Architecture from Princeton University. As an architect, his design work has been widely published in both the national and international press. The Kaleidoscope House, a modernist dollhouse designed in collaboration with artist Laurie Simmons is in the Collection of Architecture and Design at the Museum of Modern Art.

Connect with Peter:

Website | Instagram | Twitter


My Thoughts

MissMelissUnlike many of the others who have reviewed The Door-Man for this tour, I’m not fameyiliar with Richard Powers. I came to this novel after a re-read of a bunch of Dan Brown novels, and my experience with it was shaped by the writing of John Stilgoe, whose books like Outside Lies Magic teach us to see beyond the surface of our surroundings

The image of bones in the water, from the opening scenes of this book, will haunt me for a long time. It’s such a visceral concept, and even though it exists only in the mind of the main character Winifred Goldring, it’s one that really sets the tone for this novel.

And what a novel it is! Peter Wheelwright has spun a story that combines an imaginative tale, one that speaks to those of us who grew up reading things like Jurassic Park, with just enough real history to lend the whole work an air of verisimilitude. The city of Gilboa, NY,  for example, really did create a reservoir that flooded out some of the world’s oldest trees, moving the town to accommodate the needed water supply.

I’d never heard of Gilboa before reading The Door-Man, but I have always been fascinated by the idea of flooded towns, whether they are actual towns (there’s one in the the Dakotas) or bad B-movies on SyFy.

But Wheelwright’s novel is no b-movie. Rather, it’s a thoughtful, immersive tale of the generations of (fictional) people who were affected by the events in Gilboa, focusing on one family in particular, and moving back and forth in time as it weaves their story into the actual history of the region.

We are introduced to “the men of the family” by Winfred, but the story also introduces us to Piedmont Livingston Kinsolver, who tells us, “I am only a door-man, one of many along Central Park West. No one suspects that it is my considered choice.”

Combining history, science, and family drama, The Door-Man is a novel for those of us who look at the world around us and wonder, “What if?”

Goes well with: clam chowder from an old family recipe, and crusty bread.


Review Stops TLC Book Tours

Wednesday, February 2nd: Books, Cooks, and Looks

Friday, February 4th: Instagram: @just_another_mother_with_books

Monday, February 7th: Musings of a Literary Wanderer

Tuesday, February 8th: Run Wright

Wednesday, February 9th: Instagram: @readingfortheseasons

Tuesday, February 15th: Instagram: @rynicolereads

Wednesday, February 16th: No More Grumpy Bookseller

Thursday, March 3rd: Instagram: @hillysreads

Monday, March 14th: Lit and Life

TBD: Instagram: @babygotbooks4life

TBD: BookNAround

TBD: Wednesday, March 15th: Bibliotica

Review: Shapeshifting by Michelle Ross

ShapeshiftingAbout the book: Shapeshifting: Stories

  • Publisher: Stillhouse Press
  • Paperback: 232 pages

The fourteen spellbinding stories in Michelle Ross’s second collection invite readers into the shadows of social-media perfectionism and the relentless cult of motherhood. A recovering alcoholic navigates the social landscape of a toddler playdate; a mother of two camps out in a van to secure her son’s spot at a prestigious kindergarten; a young girl forces her friends to play an elaborate, unwinnable game. With unflinching honesty and vivid, lyric prose, Ross explores the familial ties that bind us together-or, sometimes, tear us apart.

Buy, read, and discuss this book:

Amazon | Barnes and Noble | Books-a-Million | Goodreads


About the author, Michelle Ross

Michelle Ross is the author of three story collections, There’s So Much They Haven’t Told You, winner of the 2016 Moon City Press Short Fiction Award and Finalist for the 2017 Foreword INDIES Book of the Year Award for Short Stories, Shapeshifting, winner of the Stillhouse Press Short Story Award (forthcoming in 2021), and They Kept Running, winner of the 2021 Katherine Anne Porter Prize in Short Fiction (forthcoming in Spring 2022). Her fiction has appeared in Alaska Quarterly Review, Colorado Review, The Common, Epiphany, Electric Literature’s Recommended Reading, TriQuarterly, Witness, and other venues. Her fiction has been selected for Best Microfiction, Best Small Fictions, and the Wigleaf Top 50, among other anthologies. She is fiction editor of Atticus Review and was a consulting editor for the 2018 Best Small Fictions anthology. A native of Texas, she received her B.A. from Emory University and her M.F.A and M.A. from Indiana University. She currently lives in Tucson, Arizona, with her husband and son.

Connect with Michelle:

Website


My Thoughts

Melissa A. BartellMichelle Ross’s collection of short stories, Shapeshifting, is a haunting, provocative anthology focusing on motherhood and womanhood, and how the two are intertwined.

These  fourteen stories are not shiny, fluffy, stories about how becoming a mother is the be-all and end-all of life. Rather they are  often hilarious, sometimes dark glimpses at the struggle to retain oneself within the context of being responsible for another human being.

Rather than the retouched moms and tots we see on Instagram, these stories show a mother sleeping in a van with her still-nursing baby to get her other child into the right school, while her husband can’t even feed said child dinner because he’s busy running parenting support groups and offering advice. Ross also shows us a mother separated from her adult daughter and the bitter, skewed images each has of the other, and the collection goes on – different mothers, different stages of motherhood, all flawed and dimensional and real. All individual women.

What I loved about Ross’s writing, in addition to her brutal clarity, was the detail she put in each story – the way mothers will extend their arms to keep their children safe in their plane or car seats, even though they have seat belts – something my own mother still does when we’re in a car together even though I’m now fifty-one.

Motherhood is often called a transformative experience. Ross’s stories look at the truth of those transformations, these shifting shapes of our bodies, our minds, and our souls and reveal the parts we think, but don’t share. They are compelling mirrors of the lives of women.

Goes well with: hot coffee, a cinnamon pastry, and twenty minutes of solitude.


00-tlc-tour-hostTour Stops

Monday, January 3rd: Lit and Life

Wednesday, January 5th: @purrfectpages

Wednesday, January 5th: @openbookbyleila

Thursday, January 6th: @nurse_bookie

Friday, January 7th: @webreakforbooks

Monday, January 10th: Stranded in Chaos and @sarastrand9438

Tuesday, January 11th: @secretreadinglife

Wednesday, January 12th: @lyon.brit.andthebookshelf

Wednesday, January 12th: Bibliotica

Thursday, January 13th: @mommaleighellensbooknook

Friday, January 14th: 5 Minutes for Mom

Monday, January 17th: The Cozy Book Blog

Monday, January 17th: @nerdy_book_lover_1987

Tuesday, January 18th: Forever Lost in Literature

Wednesday, January 19th: Musings of a Literary Wanderer

Thursday, January 20th: @megsbookclub

Friday, January 21st: @kristens.reading.nook

Friday, January 21st: @wonderousreads

Monday, January 24th: Reading is My Remedy

Tuesday,  January 25th: Run Wright and @karen_runwrightreads

Wednesday, January 26th: @kelly_hunsaker_reads