About the book, The Door-Man
• Publisher: Fomite (February 1, 2022)
• Paperback: 388 pages
In 1917, during the construction of a large reservoir in the Catskill hamlet of Gilboa, New York, a young paleontologist named Winifred Goldring identified fossils from an ancient forest flooded millions of years ago when the earth’s botanical explosion of oxygen opened a path for the evolution of humankind. However, the reservoir water was needed for NYC, and the fossils were buried once again during the flooding of the doomed town.
A mix of fact and fiction, The Door-Man follows three generations of interwoven families who share a deep wound from Gilboa’s last days. The story is told by Winifred’s grandson, a disaffected NYC doorman working near the Central Park Reservoir during its decommissioning in 1993.
The brief and provisional nature of one’s life on earth – and the nested histories of the places, people and events that give it meaning – engender a reckoning within the tangled roots and fragile bonds of family.
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About the author, Peter M. Wheelwright
Peter is a writer, architect, and educator. He is Emeritus Professor at The New School, Parsons School of Design in New York City, where he taught design and wrote on matters of environmental philosophy, design theory, and social practices in the built and natural worlds. Peter comes from a family of writers with an abiding affection for the natural world. His uncle Peter Matthiessen was a three time National Book Award winner, and his brother Jeff Wheelwright is a writer of environmental non-fiction. Educated at Trinity College where he studied painting and sculpture, he went on to receive his Master in Architecture from Princeton University. As an architect, his design work has been widely published in both the national and international press. The Kaleidoscope House, a modernist dollhouse designed in collaboration with artist Laurie Simmons is in the Collection of Architecture and Design at the Museum of Modern Art.
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My Thoughts
Unlike many of the others who have reviewed The Door-Man for this tour, I’m not fameyiliar with Richard Powers. I came to this novel after a re-read of a bunch of Dan Brown novels, and my experience with it was shaped by the writing of John Stilgoe, whose books like Outside Lies Magic teach us to see beyond the surface of our surroundings
The image of bones in the water, from the opening scenes of this book, will haunt me for a long time. It’s such a visceral concept, and even though it exists only in the mind of the main character Winifred Goldring, it’s one that really sets the tone for this novel.
And what a novel it is! Peter Wheelwright has spun a story that combines an imaginative tale, one that speaks to those of us who grew up reading things like Jurassic Park, with just enough real history to lend the whole work an air of verisimilitude. The city of Gilboa, NY, for example, really did create a reservoir that flooded out some of the world’s oldest trees, moving the town to accommodate the needed water supply.
I’d never heard of Gilboa before reading The Door-Man, but I have always been fascinated by the idea of flooded towns, whether they are actual towns (there’s one in the the Dakotas) or bad B-movies on SyFy.
But Wheelwright’s novel is no b-movie. Rather, it’s a thoughtful, immersive tale of the generations of (fictional) people who were affected by the events in Gilboa, focusing on one family in particular, and moving back and forth in time as it weaves their story into the actual history of the region.
We are introduced to “the men of the family” by Winfred, but the story also introduces us to Piedmont Livingston Kinsolver, who tells us, “I am only a door-man, one of many along Central Park West. No one suspects that it is my considered choice.”
Combining history, science, and family drama, The Door-Man is a novel for those of us who look at the world around us and wonder, “What if?”
Goes well with: clam chowder from an old family recipe, and crusty bread.
Review Stops 
Wednesday, February 2nd: Books, Cooks, and Looks
Friday, February 4th: Instagram: @just_another_mother_with_books
Monday, February 7th: Musings of a Literary Wanderer
Tuesday, February 8th: Run Wright
Wednesday, February 9th: Instagram: @readingfortheseasons
Tuesday, February 15th: Instagram: @rynicolereads
Wednesday, February 16th: No More Grumpy Bookseller
Thursday, March 3rd: Instagram: @hillysreads
Monday, March 14th: Lit and Life
TBD: Instagram: @babygotbooks4life
TBD: BookNAround
TBD: Wednesday, March 15th: Bibliotica

Tree “Bigfoot” Smith and Cedar Jones first meet on the day they join the US Cavalry’s Fourth Cavalry Regiment based out of the Historic Fort Concho in what is now San Angelo, Texas, in 1870.
BJ Mayo’s latest novel, The Sparrows of Montenegro is a grand epic story of friendship, loyalty, war, peace, and culture. Set in and around what is now San Angelo, Texas (a place I’ve only heard of because a dear friend is from a town near there), Mayo has made the landscape as much a character as the human beings. He really makes you feel the dust and heat, or smell the goats.



1965. Sandy runs away from home to escape her mother’s abusive boyfriend. Becca falls in love with the wrong man. And Faith suffers a devastating attack. With no support and no other options, these three young, unwed women meet at a maternity home hospital in New Orleans where they are expected to relinquish their babies and return home as if nothing transpired.
No Names to Be Given is a beautiful, haunting novel about three very different women who find themselves in the same maternity home in New Orleans in the mid-1960s. Sandy, Faith, and Becca couldn’t be more different – one is escaping an abusive home, one suffers a horrible attack, and one falls in love with someone that society says she shouldn’t, but all find themselves alone and pregnant at a time when women were pressured to make horrible sacrifices in order to maintain the expectations of American culture in a time that is both bordering on free, and still holding onto the even deeper social structures of earlier times.




AMES SHELDON: was born in Minneapolis, Minnesota, and grew up in Wayzata, Minnesota. After graduating from Northrop Collegiate School, she attended Bryn Mawr College, where she majored in English. After graduating, she worked in the legal department of a chemical company, as a reporter at two newspapers, as office manager of a start-up auto salvage business, and eventually as a grant writer and development officer for a variety of nonprofit organizations, ranging from the Sierra Club in San Francisco to the Minnesota Historical Society and the Minneapolis Public Library. She has an M.A. in American Studies and was lead author and associate editor of the groundbreaking Women’s History Sources: A Guide to Archives and Manuscript Collections in the United States (R.R. Bowker, 1979). In the process of working on this monumental reference book, Ames discovered her love of women’s history and of using primary sources for research. Her debut novel, Eleanor’s Wars, won the 2016 Benjamin Franklin Gold Award for Best New Voice: Fiction. Her second novel, Don’t Put the Boats Away, was published on August 27, 2019, by She Writes Press. Her third novel, Lemons in the Garden of Love, will be published in 2021.

With the cloud of the Holocaust still looming over them, twin sisters Bronka and Johanna Lubinski and their parents arrive in the US from a Displaced Persons Camp. In the years after World War II, they experience the difficulties of adjusting to American culture as well as the burgeoning fear of the Cold War.
Meryl Ain’s articles and essays have appeared in Huffington Post, The New York Jewish Week, The New York Times, Newsday and other publications. In 2014, she co-authored the award-winning book, The Living Memories Project: Legacies That Last, and in 2016, wrote a companion workbook, My Living Memories Project Journal. She is a sought-after speaker and has been interviewed on television, radio, and podcasts. She is a career educator and is proud to be both a teacher and student of history. She has also worked as a school administrator.




Though John J. Jacobson didn’t join the French Foreign Legion after being jilted by a girlfriend, or over his displeasure of missing the last great cattle drive, he has, borrowing Churchill’s phrase, lived a rather variegated life. He was born in Nevada, grew up in the West, surfed big waves in Hawaii, circled the world thrice, survived the sixties and seventies, corporate America, and grad school. Among other degrees he has an MA in Renaissance literature from Claremont Graduate University.
I don’t read a lot of westerns but the description of All the Cowboys Ain’t Gone really hooked me, so I asked to review it, and wow! What a fantastic adventure this book is!


Caitlin Strong wages her own personal war on drugs against the true power behind the illicit opioid trade in Strong from the Heart, the blistering and relentless 11th installment in Jon Land’s award-winning series.
Jon Land is the USA Today bestselling author of more than fifty books, eleven of which feature Texas Ranger Caitlin Strong. The critically acclaimed series has won more than a dozen awards, including the 2019 International Book Award for Best Thriller for Strong as Steel and the 2020 American Fiction Award for Best Thriller. He has also authored six books in the MURDER, SHE WROTE series and has recently taken over writing Margaret Truman’s CAPITAL CRIMES series. A 1979 graduate of Brown University, Land lives in Providence, Rhode Island and received the 2019 Rhode Island Authors Legacy Award for his lifetime of literary achievements.
Strong from the Heart is book number 11 in the Caitlin Strong series, but the first of these that I’ve read, and I’m not ashamed to say that I’m hooked, but then, I’d be hooked on any story that starts (well, after a prologue featuring a traumatized mailman wandering in the desert) with a woman facing down ICE, Texas Ranger or not.



As archaeologist Rachel excavates a World War Two airfield, could a love story from the past hold a lesson for her as well?
I write romance with a twist, that extra something to keep readers guessing right to the end. While my books are character driven my inspiration is always a British setting; so far a village in Yorkshire (The Cheesemaker’s House), a Hampshire wood (The Faerie Tree), gorgeous Studland Bay in Dorset (Another You) and rural Lincolnshire (Endless Skies).

After an attempted horse theft goes tragically wrong, sixteen-year-old Caleb Bentley is on the run with his mean-spirited older brother across the American Southwest at the turn of the twentieth century. Caleb’s moral compass and inner courage will be tested as they travel the harsh terrain and encounter those who have carved out a life there, for good or ill.
James Wade lives and writes in Austin, Texas, with his wife and daughter. He has had twenty short stories published in various literary magazines and journals. He is the winner of the Writers’ League of Texas Manuscript Contest and a finalist of the Tethered by Letters Short Fiction Contest. All Things Left Wild is his debut novel
My first reaction to James Wade’s novel All Things Left Wild was that the writing was both vivid and incredibly lyrical. I could have easily read three hundred pages of James Wade just describing the scenery and been completely satisfied. But this is not a nature guide, it’s a novel, and the story was as powerful as the opening scene-setting was beautiful.
Two women, a world apart.
Adrienne Chinn was born in Grand Falls, Newfoundland, grew up in Quebec, and eventually made her way to London, England after a career as a journalist. In England she worked as a TV and film researcher before embarking on a career as an interior designer, lecturer, and writer. When not up a ladder or at the computer, she can usually be found rummaging through flea markets or haggling in the Marrakech souk. Her second novel, The English Wife — a timeslip story set in World War II England and contemporary Newfoundland — is published in June 2020. Her debut novel, The Lost Letter from Morocco, was published by Avon Books UK in 2019. She is currently writing her third novel, The Photographer’s Daughters, the first of a 3-book series, to be published in 2021.