
About the book, “So Sorry for Your Loss”

Cover: “So Sorry for Your Loss”
- Genre: Grief & Bereavement / Love & Loss / Parenting & Relationships
- Publisher: Union Square & Co.
- Page Count: 240 pages
- Publication Date: April 11, 2023
- Scroll down for a giveaway!
A heartfelt exploration about what it means to process grief, by a bestselling author and journalist whose experience with two devastating losses inspired her to bring comfort and understanding to others.
Since losing her mother to cancer in 2018 and her sister to alcoholism less than three years later, author and journalist Dina Gachman has dedicated herself to understanding what it means to grieve, healing after loss, and the ways we stay connected to those we miss. Through a mix of personal storytelling, reporting, and insight from experts and even moments of humor, Gachman gives readers a fresh take on grief and bereavement—whether the loss is a family member, beloved pet, or a romantic relationship. No one wants to join the grief club, since membership comes with zero perks, but So Sorry for Your Loss will make that initiation just a little less painful.
In the spirit of Elizabeth Kubler Ross books like On Grief and Grieving, or C.S. Lewis’s A Grief Observed, So Sorry for Your Loss is the perfect gift for someone who is grieving. With her blend of personal experiences, expert advice, and just a little bit of humor, Gachman has provided a compassionate and compelling resource for anyone looking for grief books.
Praise for this book:
- “Gachman perceptively puts words to the uncomfortable realities of loss…and deconstructs its social myths, helping readers feel less alone. Those facing loss will find solace here.” —Publishers Weekly
- “So Sorry for Your Loss is a monument to the work of remembering and a testament to the immutable love of family and the grief that forever changes us.” —Lauren Hough, New York Times bestselling author of Leaving Isn’t the Hardest Thing
- “So Sorry for Your Loss is a meditation on loss that reminds us how to go on living.” —Deirdre Fagan, author of Find a Place for Me and The Grief Eaters
Buy, read, and discuss this book:
Amazon | Barnes & Noble | Bookshop | Goodreads
About the author, Dina Gachman

Dina Gachman
Dina Gachman is a Pulitzer Center Grantee and a frequent contributor to the New York Times, Vox, Texas Monthly, and more. She’s a New York Times bestselling ghostwriter, and the author of Brokenomics: 50 Ways to Live the Dream on a Dime. She lives near Austin, Texas, with her husband and son. Photo credit Jessica Comiskey.
Connect with Dina:
Interview with author Dina Gachman
What was the hardest part of writing “So Sorry for Your Loss”?
Since it’s a book about grief, I guess I can honestly say—everything. Intentionally going deeper into my own pain over losing my mom and sister Jackie, day after day, was tough. There were plenty of ugly cries at my desk over the course of eight months. I also interviewed so many people about their personal losses for the book, whether it was losing a parent, a child, a pet. They were so vulnerable and lovely, and hearing their stories was healing, but also emotional of course. There were plenty of weeks where I would get to Friday and think, “I am done with grief for the week. Time to zone out and watch Iron Chef.”
Do you have any research rabbit-hole stories?
I love a good research rabbit hole. I have no clue why or how I found it, but I discovered this old tradition and superstition called “telling the bees” where people would have to tell a bee hive that someone had died. If they didn’t, more death would occur or bad luck would come. There are paintings and poems about this tradition, and I found it so odd but also beautiful. When Queen Elizabeth II died, I read that this tradition was still happening, which surprised me. If I had a beehive, I would probably keep that tradition alive.
Do you have any writing pet peeves?
Using too many exclamation marks, which is something I used to do. They can work occasionally, but I try to go back and strip as many of them away as I can when I’m revising my work. It’s a cheap way to get a response or a laugh. One thing I learned from an editor on a book I was ghostwriting was that I was relying on too many parentheses, so I try to strip those away too. Besides that, don’t try too hard. Being subtle is an art, and Joan Didion was the queen of that skill.
What projects are you working on now?
I’m ghostwriting two new books and always pitching and writing stories. I wrote a story I am thrilled about for a magazine called Mother Tongue which is my first attempt at any sort of investigative journalism, and I loved it. I’m hooked. It’s about uncovering the truth about my great aunt, who committed arson in Fort Worth in the 1940s because her husband was abusive. It’s a wild ride. I’m also brainstorming my third book idea, which relates to the story about my great aunt.
Giveaway
Three winners each receive a signed copy of
So Sorry for Your Loss
(US only; ends midnight, CST, 5/12/23)

Visit the Other Great Blogs on This Tour
Click to visit the Lone Star Literary Life tour page for links to participating blogs as they pop up.

blog tour services provided by



About the book, The Cruise


About the book Sweet Comfort (Comfort & Joy #1)
About the author, Kimberly Fish 

About the Book, Survival
About the Author, Lisa Harris



Pre-Order this book and Add It to Your Goodreads Shelf:


Like the author who, according to some biographies, “grew up Geographic,” the familiar yellow rectangle that represents the National Geographic magazine has been part of my entire life. Once, I was even on a plane to La Paz, BCS, Mexico when I realized most of the men on the plane were wearing black baseball caps with that logo. It took me a moment to realize they were all photographers on their way to meet the National Geographic Society’s boat for a photography excursion. My point in relating this is that reading about one of the men “behind the scenes” of one of my favorite institutions was a natural choice for me. I love biographies. I grew up on National Geographic magazine and the TV specials and I even had a subscription to National Geographic World, which was designed for kids, when I was ten. When something is imprinted with that yellow rectangle, you know you can trust it.





The award-winning author of Comfort Songs, Comfort Plans, and Comfort Foods digs into the life of single-mom Anna Weber, an appraiser who gives value to other people’s found treasures. On assignment to research a handwritten sheet of music, Anna helps a stranded motorist, only to discover she’s rescued retired NFL quarterback Jack Moses. His confidence and fascination for solving problems makes him impossible for Anna to ignore even as they both dart along separate deadlines to save the finances at an inner-city school. Little does Anna know that as she wrestles with secrets from her past and a suspicious approach to people, Jack is running too—dodging women, pro athletes, and a future with no definable end zone.
Kimberly Fish has been a professional writer in marketing and media for over thirty years, with regular contributions to area newspapers and magazines. As an accidental historian, she wrote two novels, The Big Inch and Harmon General, both based on factual events in Longview, Texas that changed world history. Kimberly also offers a set of contemporary women’s fiction, based in the Texas Hill Country, that reveal her fascination with characters discovering their grit and sweet, second chances; all four of these novels have won distinguished awards




In this enigmatic follow up to his critically acclaimed debut novel The Cuts that Cure, Arthur Herbert returns to the Texas-Mexico border with this saga of a small town’s bloody loss of innocence.
Arthur Herbert was born and raised in small town Texas. He worked on offshore oil rigs, as a bartender, a landscaper at a trailer park, and as a social worker before going to medical school. For the last eighteen years, he’s worked as a trauma and burn surgeon, operating on all ages of injured patients. He continues to run a thriving practice.


An interplanetary mystery and a searing critique of the contemporary billionaire quest for Mars. The year is (still) 2188 and Crucial Larsen is officially done with Mars. But just as he’s set to head back to his beloved Earth, meteors crash into the orbital platforms, ravage the luxury domes and knock Halo—the powerful AI running Mars and Earth—offline. And this is no random cosmic event. An invading force has the technology to redirect space rocks at will and intends to level the Five Families.
Clark and Kathleen wrote their first book together in 1999 as a test for marriage. They passed. Mars Adrift is their tenth co-authored book.
The last time I reviewed a McFall & Hays novel it was Gates of Mars, the first book of this trilogy. (I somehow missed book two, but doing so didn’t seem to adversely effect my understanding or enjoyment of book three.) Back then (July, 2020) I wrote, “It takes a lot of talent to combine a detective plot with a sci-fi setting, and make us care about the characters even when their flaws are all too visible, but McFall and Hays have that talent. They also infuse their work with just enough wry humor to keep things from being overwhelming.”
