Book Review: The Crooked Medium’s Guide to Terror, by Stephen Cox

The Crooked Mediums Guide to Terror

 

About the book The Crooked Medium’s Guide to Terror: The Crooked Option 2b Red page

  • Publication date ‏ : ‎ September 14, 2026
  • Language ‏ : ‎ English
  • File size ‏ : ‎ 1.2 MB
  • Scroll for Giveaway

True terror is a murderer you can’t stop.

London 1882. A carpenter is killed by a train – an eerie, brutal crime. Flamboyant medium Mrs Ashton and her sapphic partner Braddie seek justice for the widow.

A charismatic new medium takes London by storm. Dock-lass Maisie sees her frightening prophesy of vengeance.  A noble family is devastated, but worse is to come.

Outgunned and bewildered, the three confront a deadly conspiracy. They risk losing everything.

A reckoning from beyond the grave.

Praise for Book 1: The Crooked Medium’s Guide To Murder

“witty, atmospheric and queer‑hearted”

“humour, mystery and a wonderfully crooked sense of morality… delivered with charm.”

Buy, read, and discuss this book:

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About the author Stephen Cox: The Crooked Stephen-Cox

Author Bio – My grandmother told me I read too much.  I remember walking in the garden when I was small, telling myself stories. It was over thirty years of wanting to be a novelist before I tried… and succeeded.

The Crooked Medium’s Guide to Murder was much loved. It arose because I wanted to write about Britishness and specifically about Englishness; about our complex relationship with the past; I wanted leads who were morally grayer but still capable of kindness. Personally, it was time for a novel with queer leads. And these difficult times I needed to write something with some uplift. I always intended more than two books. The Crooked Medium’s Guide to Terror is spookier, and more dangerous. It throws all three women out of their comfort zone.

I spent nearly all my childhood in Bristol, and I’m now an adoptive Londoner.   I live with my partner, and it’s lovely my two adult children come back from time to time. Our garden rages wild.

Connect with Stephen:

Website | Bluesky | Facebook | YouTube | Mastodon | Free Newsletter 


My Thoughts

I came into the world of Stephen Cox’s The Crooked Medium with book two, and while I had no trouble navigating the story—it absolutely works as a standalone—I suspect my experience would have been even richer had I read the first book beforehand. (I’ve since purchased it, so I can remedy that at my leisure.)

What hooked me immediately were the characters. Braddie and Mrs. Ashcroft are partners in every way, and I loved their relationship as much as I loved the reason Mrs. Ashcroft is a “crooked” medium: she genuinely possesses a supernatural gift, but it’s telepathy rather than the Sight she claims to have.

It’s the smaller details of their relationship, though, that made them sing from the page. These are two women who had argued over where to exchange vows in a time when their relationship could not even be openly acknowledged. One had wanted a church wedding—even if the church was closed—while the other had lobbied for something open-air. Their eventual compromise, a ruined abbey open to the sky but centered around women, was both romantic and wonderfully symbolic.

Cox is as good at world-building as he is at plot. The mystery is well-paced and, I confess, kept me guessing, while the people left behind by the victim’s death felt substantial enough to deserve stories of their own. I especially enjoyed period details such as mentions of D’Oyly Carte and unfamiliar slang like “hinny,” little touches that gave this American reader the pleasure of encountering Victorian Britain rather than merely being told that the story was set there.

I also appreciated that while earning enough to live—and creating the life they want—is important to our detecting duo, neither woman has lost her compassion. That compassion, particularly toward other women, gives the novel warmth beneath its spiritualism and murder.

I was so thoroughly immersed that I came away from the final pages half-expecting horse-drawn coaches, gray weather, and the scent of strong tea. Instead, I was subjected to unrelentingly sunny Florida skies and the realization that my coffee had gone cold.

At roughly five hours of reading time, The Crooked Medium’s Guide to Terror is a quick read, but an immersive one, with just the right blend of spiritualism, crime-solving, period atmosphere, and British wit.

Goes well with: steak-and-kidney pie and a pint of porter.


Giveaway (Open to UK Residents Only)

Win 4 x Signed Books by Stephen Cox 

Prize includes – Our Child of the Stars, Our Child of Two Worlds, The Crooked Medium’s Guide to Murder and the Crooked Medium’s Guide to Terror.

*Terms and Conditions –UK entries welcome.  Please enter using the Gleam box below.  The winner will be selected at random via Gleam from all valid entries and will be notified by Twitter and/or email. If no response is received within 7 days then Rachel’s Random Resources reserves the right to select an alternative winner. Open to all entrants aged 18 or over.  Any personal data given as part of the competition entry is used for this purpose only and will not be shared with third parties, with the exception of the winners’ information. This will passed to the giveaway organizer and used only for fulfillment of the prize, after which time Rachel’s Random Resources will delete the data.  I am not responsible for dispatch or delivery of the prize.


Win 4 x Signed Books by Stephen Cox (Open to UK Only)


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Book Review: A Thousand Painted Hours, by Barbara O’Neal

About the book, A Thousand Painted Hours thousandpaintedhourscover

  • Publisher ‏ : ‎ Lake Union Publishing
  • Publication date ‏ : ‎ August 11, 2026
  • Language ‏ : ‎ English
  • Print length ‏ : ‎ 543 pages

An epic, emotionally charged novel about love, art, and survival spanning 1900s colonial India to Blitz-era London by the USA Today bestselling author of When We Believed in Mermaids.

In the shadow of the London Blitz, artist Elsie Turner clings fiercely to her canvases, refusing to let war dim the colors that define her. The bombs test her nerve, but the struggle also stirs memories of her golden youth in India and of the long-lost love of her life.

The daughter of a British civil servant in the Himalayan station of Nainital, Elsie crosses cultural divides to forge an unlikely bond with Tanveer Singh, a Sikh prince with hopes, dreams, and far-reaching ideas. What begins as shared sketchbooks and stargazing becomes first love and a secret correspondence. When Elsie’s father is summoned to England, Elsie is severed from the world she knows—and is determined to preserve it through both her art and a connection with Tanveer that endures through the most tumultuous years of their lives.

Across four decades and two continents, Elsie navigates a journey from lush colonial India to war-torn London, amid landscapes of beauty, protest, and peril. As past and present collide, the most impossible choices and sacrifices are yet to be made in the name of love, war, and survival.

Praise for this book:

“From the forested hills of India to the bomb-scarred streets of London to the searing heat of Cairo, A Thousand Painted Hours is a colorful, transportive, and heartrending novel. In a sweeping tale of friendship and love through the ages, O’Neal grabs her readers by the heart and doesn’t let go. Not to be missed!” —Heather Webb, USA Today bestselling author of The Hope Keeper

Buy, read and discuss this book:

Amazon | Barnes & Noble | BookBub | Goodreads 


About the author, Barbara O’Neal Barbara O'Neal

Barbara O’Neal is the Washington PostWall Street JournalUSA Today, and Amazon Charts bestselling author of twenty novels of women’s fiction, including the #1 Amazon Charts bestseller When We Believed in Mermaids, as well as The Last Letter of Rachel EllsworthMemories of the LostThis Place of Wonder, and The Starfish Sisters.

Her award-winning books have been published in more than two dozen countries. She lives on the wild Oregon Coast with her husband, a British endurance athlete who vows he’ll never lose his accent.

For more information, visit www.barbaraoneal.com.

Connect with Barbara:

Facebook | Instagram 

 


My thoughts Melissa - 2026

A Thousand Painted Hours entered my life during a summer when I was already doing a lot of reading about both British colonial India and World War II, so I felt as though the literary gods were smiling upon me.

Then I loved the print version so much that I bought the audiobook simply because I wanted to hear Barbara O’Neal’s language read aloud.

This isn’t a review of the audio edition, but that seems worth mentioning because it says something about the prose itself. O’Neal writes with a richness that never becomes cumbersome. Her descriptions are lush and evocative without slowing the story, and there is a musicality to the language that made me curious about how it would sound rather than simply how it looked on the page. For the record, the narration is spot-on, and the story flows just as beautifully when heard as it does when read.

The print edition, though, is gorgeous.

Different languages weave through the text. Letters pass back and forth, sometimes accompanied by pressed flowers or small pieces of art. These elements aren’t decorative flourishes pasted onto the story; they’re part of the way O’Neal builds intimacy between her characters and gives physical presence to relationships stretched across enormous distances and spans of time.

They also contribute to one of the novel’s greatest strengths: its sense of texture. This is a book that feels tactile. Paper, paint, flowers, landscapes, food, weather, clothing, and color all contribute to the world of the novel without overwhelming it.

At 543 pages, A Thousand Painted Hours is wonderfully meaty—and somehow still not enough.

That is partly because O’Neal handles the pacing of a long, dual-timeline novel remarkably well. The movement between periods creates momentum rather than interrupting it, and the letters provide yet another rhythm within the larger structure. Instead of feeling as though I were being pulled away from one story just as it became interesting, I found that each shift added another layer to what I already knew.

O’Neal is equally good at allowing relationships to develop over time. Connections between characters are not treated as static things established in one scene and carried unchanged through the rest of the book. Affection, resentment, obligation, desire, friendship, and loyalty evolve as the characters themselves do. Four decades is a tremendous amount of emotional territory for a novel to cover, and the relationships feel lived in rather than merely plotted.

There is also considerable care in the novel’s treatment of culture and belonging. O’Neal doesn’t use India simply as an exotic backdrop for a British woman’s story. Questions of colonialism, privilege, cultural identity, and independence are woven through the characters’ lives, while the multilingual elements of the novel allow people to inhabit their own languages rather than having every interaction flattened into English.

Perhaps most impressive is the balance of all these elements. This is historical fiction, romance, family drama, and a novel about art, memory, culture, and identity, but none of those pieces feels as though it has wandered in from a different book.

And despite those 543 pages, I reached the end wishing there were just a few more painted hours left.

Goes well with: Gulab jamun and a steaming cup of cardamom tea.


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