About the book, Kiss Carlo
- Hardcover: 544 pages
- Publisher: Harper (June 20, 2017)
From Adriana Trigiani, the beloved New York Times-bestselling author of The Shoemaker’s Wife, comes an exhilarating epic novel of love, loyalty, and creativity—the story of an Italian-American family on the cusp of change.
It’s 1949 and South Philadelphia bursts with opportunity during the post-war boom. The Palazzini Cab Company & Western Union Telegraph Office, owned and operated by Dominic Palazzini and his three sons, is flourishing: business is good, they’re surrounded by sympathetic wives and daughters-in-law, with grandchildren on the way. But a decades-long feud that split Dominic and his brother Mike and their once-close families sets the stage for a re-match.
Amidst the hoopla, the arrival of an urgent telegram from Italy upends the life of Nicky Castone (Dominic and his wife’s orphaned nephew) who lives and works with his Uncle Dom and his family. Nicky decides, at 30, that he wants more—more than just a job driving Car #4 and more than his longtime fiancée Peachy DePino, a bookkeeper, can offer. When he admits to his fiancée that he’s been secretly moonlighting at the local Shakespeare theater company, Nicky finds himself drawn to the stage, its colorful players and to the determined Calla Borelli, who inherited the enterprise from her father, Nicky must choose between the conventional life his family expects of him or chart a new course and risk losing everything he cherishes.
From the dreamy mountaintop village of Roseto Valfortore in Italy, to the vibrant streets of South Philly, to the close-knit enclave of Roseto, Pennsylvania, to New York City during the birth of the golden age of television, Kiss Carlo is a powerful, inter-generational story that celebrates the ties that bind, while staying true to oneself when all hope seems lost.
Told against the backdrop of some of Shakespeare’s greatest comedies, this novel brims with romance as long buried secrets are revealed, mistaken identities are unmasked, scores are settled, broken hearts are mended and true love reigns. Trigiani’s consummate storytelling skill and her trademark wit, along with a dazzling cast of characters will enthrall readers. Once again, the author has returned to her own family garden to create an unforgettable feast. Kiss Carlo is a jubilee, resplendent with hope, love, and the abiding power of la famiglia.
Buy, read and discuss Kiss Carlo:
HarperCollins | Amazon | Barnes & Noble | Goodreads
About the author, Adriana Trigiani
Adriana Trigiani is the bestselling author of 17 books, which have been published in 36 countries around the world. She is a playwright, television writer/producer and filmmaker. She wrote and directed the film version of her novel Big Stone Gap, which was shot entirely on location in her Virginia hometown. She is co-founder of the Origin Project, an in-school writing program that serves more than a thousand students in Appalachia. She lives in Greenwich Village with her family.
Connect with Adriana:
Website | Facebook | Instagram | Twitter
I love Adriana Trigiani’s writing because her use of language is so lyrical and because her characters and plots celebrate working people – blue collar people – in a way that never panders.
In Kiss Carlo, we get to spend time with Trigiani characters in Italy, in South Philadelphia, and in New York, and we meet people who are cab drivers, flower sellers, and the company of a small Shakespeare company, and all are supremely real and vibrant and somewhat familiar to me, as half my own family are New Jersey Neapolitans who also refer to tomato sauce as gravy, the way Minna’s family does.
Nicky, the central figure in most of this story, is a cab driver moonlighting as a stage hand, and he practically leaps off the page, as do the multitudes of aunts, uncles and cousins who surround him.
While this is a period piece – set after World War II and at the dawn of Television’s golden age – it’s primarily a story about family – the people we love and hate and can’t live with, and wouldn’t dream of living without, and what it means when your dreams don’t align with what your family expects, and those things transcend period.
Goes well with spaghetti with meatballs and homemade tomato gravy.
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