Monthly Archives: October 2007

More Coming Attractions

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I just received the emailed interview from Julia Holden, and while she doesn’t talk about fictional Las Vegas homes for sale (or trailers stashed behind hotels or casinos, for that matter) the subjects do include Paris, pseudonyms, future plans, and the Folies Bergere.

The authors who’ve been contacted are picked because they’re fairly accessible – with websites, blogs, etc., – as well as because I like their work, or think my readers will appreciate what they have to say.

So far, everyone I’ve contacted has been really gracious and returned the questionnaire much quicker than anticipated, which is really good for me.

Ms. Holden’s interview won’t be posted until November, most likely, but I wanted to let you all know it was coming.

Coming in October

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Just a brief list of what’s coming to Bibliotica during the rest of October:

– Review of the season premiere of Blood Ties
– Reviews of Rises the Night and The Rest Falls Away by Colleen Gleason
– In Their Words: Emailed interview from Keith R. A. DeCandido, who apparently never sleeps. This will go up either Tuesday or Thursday of this week, and should not be missed – some of his responses made me wish I had protective underwear.
– More site changes. You may have noticed the new layout, but I’m working on one that will spotlight featured pieces a little better.

I’ll also be re-reading the original Dracula by Bram Stoker and posting a list of my favorite fictional vampires.

Thanks for reading.

Moonlight-ing

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I spent this morning cleaning my coffee maker, but I probably should have spent it researching drug treatment centers instead, because after my mini-marathon of Dracula: the Series on Friday, I also finally managed to catch an episode of the new vampire detective show Moonlight which is brought to you, in part, by Ron Koslow who was also involved in one of my favorite 1980’s television shows, Beauty and the Beast.

Friends who managed to see the pilot of Moonlight told me that it was very much an Angel ripoff. I disagree. If anything, it traces more of its roots back to Forever Knight than Angel ever did, and that’s fine, because what makes Joss Whedon’s work stand out is that it is so fresh and difference. It also has more than a passing resemblance to Blood Ties which returns this week.

In any case, Moonlight features Australian actor Alex O’Loughlin as vampire private investigator Mick St. John, who is relatively young in vampire terms, as he was still mortal as recently as 1950. He’s got a torch for a blonde reporter, who is apparently in a stable relationship with someone in the district attorney’s office, so there’s they typical vampire-mortal attraction dance going on, and of course, they fight crime.

It seems like a show still finding its feet, and I’ve read that there were major casting changes at the last minute, and that David Greenwalt who was involved in the show’s creation, walked away from it over the summer, so I’m hoping it will last long enough to have a chance of growing beyond it’s very earnest first couple episodes, and maybe offer a little bit more grit.

My verdict: Worth catching, but don’t cancel plans for it.

Dracula: The Series

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If there’s some kind of drug treatment for people who like cheesy vampire stories, than I surely need it, because yesterday while I was working I went through an entire disc of Dracula: The Series on DVD. Now, an entire disc may not sound bad to those of you accustomed to getting four hours of Buffy the Vampire Slayer on a disc, but you will understand why a disc of Drac is bad when I tell you that, because it’s a half-hour show, one disc = eleven episodes.

Eleven.

Now do you sense the wrongness?

Back in the very very early 1990’s, there was a channel in the NJ/NY area known as “Universal 9” – I’m not sure if it was some precursor to UPN or not, but among the funky syndicated shows they ran were this one, and another called She-Wolf of London that was about an American university student who is bitten by a werewolf while she’s visiting England. Adventure and romance ensue.

Dracula however, is at least partly a sit-com. It features extremely tall Canadian actor Geordie Johnson as “Alexander Lucard” – who lives in a modern castle and conquers the world by conglomerating it. Pitted against him is Bernard Behrens as “Gustav Helsing” – Uncle Gustav to the two American (who are really Canadian) kids who are sent to live with him in Belgium (except it’s really Luxembourg) while their mother wanders around Europe in her job for a bank. The boys are Max (10) and Chris (16), and they are cheerfully geeky in that “still have eighties hair” sort of way. Also staying with Gustav is Sophie Metternich (played by The L Word‘s Mia Kirschner), and of course she and Chris end up flirting with each other, a lot, while Max and Uncle G run off to try and kill Dracula.

There is a lot of wielding of crosses and splashing of holy water, big swirly capes, and near-vaudevillian gesturing, especially when Drac is about to sink his ridiculously long fangs into the neck of the week.

Guest stars are campy in a “If I wasn’t Canadian and it wasn’t thirty years too late I’d be on Gilligan’s Island” sort of way, and most of the 41 Canadian actors who showed up in EVERY US/CAN joint production of the era show up here as well, including, in a recurring role as Klaus “I’m a psychotic giggling loon with fangs” Helsing, Gustav’s son, turned Dracula’s minion, Geraint Wyn Davies. Followers of Vamp TV know that Geraint Wyn Davies would show up wearing fangs (and a better hair style) a few years later as the lead in the “Crime time after prime time” show, Forever Knight.

If I’m mocking this show so much, you may wonder why I bought the discs. Well, for one thing, the entire first season of 21 episodes (there was no second season, which is too bad, because had they chosen to tone down the cheese some interesting plot points were coming out) was a whopping $8.49 at a certain online megabookstore.

Also, sometimes, you just need to laugh.

A Dangerous Dress

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by Julia Holden

I bought A Dangerous Dress after reading Julia Holden’s other novel One Dance in Paris a couple weeks ago, and exchanging comments via her MySpace page. She’s kindly consented to do an emailed interview for me, when she has a few free moments, and I’m sure you’ll all enjoy it.

Anyway, this book shares with the other a trip to Paris, and is still a chick-lit coming of age story, but there are no trips to anything like Caesars Palace this time, though there is a movie set, a news set, and a bank involved.

The lead character, Jane, is working in her uncle’s bank, and feeling a bit humdrum, when she gets a call from a French movie director (who happens to be her college roommate’s father), asking her to please come to Paris and find the perfect 1928 dress for the star of his film. Her expertise, he says, comes from the college paper she wrote years before, about her late grandmother’s very own flapper dress – a dress so exotic, so unique, that it is literally dangerous. Dangerous in that edgy, seductive sort of way.

The dress is, of course, merely a catalyst. Jane jets off to find love, adventure, new skills, more adventure, and a lot of self-awareness, in an entertaining read that goes by way too fast.

Mystery in the Mojave

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The few times I’ve been to Arizona, it was literally flying through Phoenix, or driving through the portion of it that has Route 66, and while I did think it was much more lush than I imagined (because even though I know better my imagination wants to see an Arizona that is nothing more than sand and cactus), it didn’t strike me as a place that inspired mysteries.

In fact, the few times I’ve read novels about Arizona at all, they were either about Arizona luxury real estate, with characters lounging by the pool and spraying themselves with plant misters, or they’ve involved bad grammar and cheese enchiladas.

Because who can refuse a good book about cheese enchiladas?

Tonight I learned about Nite Owl Books, which apparently features the work of Sylvia Nobel, and feature her reporter-cum-detective Kendall O’Dell, and take place in Arizona. I’m a sucker for a good mystery, and these look like an entertaining read, so I’m adding them to my future purchase list.

Booking Through Thursday: Decorum

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From Booking Through Thursday:
Do you have “issues” with too much profanity or overly explicit (ahem) “romantic” scenes in books? Or do you take them in stride? Have issues like these ever caused you to close a book? Or do you go looking for more exactly like them?

If language or sex are important to the plot of a book I’m reading, I don’t have an issue with them. In some cases, it’s more jarring when authors back away from strong language – it comes off as phony, and strange. With sex, I don’t really sit at the bookstore and go, “well, I’m desperate for a book that has actual penetration described,” but if it comes up, I’m cool with it.

I will admit that a couple of Laurell K. Hamilton’s books have been off-putting for me, not because I mind the sex (I mean, her male characters are HOT) but because there was more sex than plot, and while I may refer to her work as “Monster Porn” or “Faerie Porn” in jest, the reality is that I do read these for the story, first.

That being said, I have to add that while explicit porn may not float my boat most of the time, censorship is wrong. Just as we all have the power to change channels or turn off a television, we have the power to choose what we read without external forces helping us. If you don’t like it, don’t buy it.

Language has power. You should wield it wisely, but you shouldn’t ever be afraid of it.