About the book: Shapeshifting: Stories
- Publisher: Stillhouse Press
- Paperback: 232 pages
The fourteen spellbinding stories in Michelle Ross’s second collection invite readers into the shadows of social-media perfectionism and the relentless cult of motherhood. A recovering alcoholic navigates the social landscape of a toddler playdate; a mother of two camps out in a van to secure her son’s spot at a prestigious kindergarten; a young girl forces her friends to play an elaborate, unwinnable game. With unflinching honesty and vivid, lyric prose, Ross explores the familial ties that bind us together-or, sometimes, tear us apart.
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About the author, Michelle Ross
Michelle Ross is the author of three story collections, There’s So Much They Haven’t Told You, winner of the 2016 Moon City Press Short Fiction Award and Finalist for the 2017 Foreword INDIES Book of the Year Award for Short Stories, Shapeshifting, winner of the Stillhouse Press Short Story Award (forthcoming in 2021), and They Kept Running, winner of the 2021 Katherine Anne Porter Prize in Short Fiction (forthcoming in Spring 2022). Her fiction has appeared in Alaska Quarterly Review, Colorado Review, The Common, Epiphany, Electric Literature’s Recommended Reading, TriQuarterly, Witness, and other venues. Her fiction has been selected for Best Microfiction, Best Small Fictions, and the Wigleaf Top 50, among other anthologies. She is fiction editor of Atticus Review and was a consulting editor for the 2018 Best Small Fictions anthology. A native of Texas, she received her B.A. from Emory University and her M.F.A and M.A. from Indiana University. She currently lives in Tucson, Arizona, with her husband and son.
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Michelle Ross’s collection of short stories, Shapeshifting, is a haunting, provocative anthology focusing on motherhood and womanhood, and how the two are intertwined.
These fourteen stories are not shiny, fluffy, stories about how becoming a mother is the be-all and end-all of life. Rather they are often hilarious, sometimes dark glimpses at the struggle to retain oneself within the context of being responsible for another human being.
Rather than the retouched moms and tots we see on Instagram, these stories show a mother sleeping in a van with her still-nursing baby to get her other child into the right school, while her husband can’t even feed said child dinner because he’s busy running parenting support groups and offering advice. Ross also shows us a mother separated from her adult daughter and the bitter, skewed images each has of the other, and the collection goes on – different mothers, different stages of motherhood, all flawed and dimensional and real. All individual women.
What I loved about Ross’s writing, in addition to her brutal clarity, was the detail she put in each story – the way mothers will extend their arms to keep their children safe in their plane or car seats, even though they have seat belts – something my own mother still does when we’re in a car together even though I’m now fifty-one.
Motherhood is often called a transformative experience. Ross’s stories look at the truth of those transformations, these shifting shapes of our bodies, our minds, and our souls and reveal the parts we think, but don’t share. They are compelling mirrors of the lives of women.
Goes well with: hot coffee, a cinnamon pastry, and twenty minutes of solitude.
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