Earlier this evening, I was pulled away from listening to the manager of the hotel, Ross, telling us about a recent Orlando vacation, when I heard the bells at Our Lady of Lourdes, just across the river in St. Anthony Main, chiming the hour. I was struck by the calm that comes after such a sound, and I immediately thought back to my very first encounter with Kathleen Norris: The Cloister Walk.
The Cloister Walk was very popular when it first came out, but I had no use for such things until several years later. Now, reading about this woman from Dakota (via Hawaii) spending time experiencing the liturgy of the hours while living with Benedictine monks seems so beautiful and helpful. I’m not sure I have the discipline for such an endeavor, but there’s something in me that wants to try.
In a few minutes the chimes will sound again, and I will find calm after the last echo of the bell, just as I always find calm in the middle of a good book.
They may have been written with children as the intended audience, but from time to time, I still re-read Little House in the Big Woods and the various sequels, though most times I skip Farmer Boy. For the longest time, those stories were just books, but when I married Fuzzy and moved to South Dakota, they became real to me in a different way.
Charles “Pa” Ingalls always struck me as someone who would wear a t-shirt declaring himself to be one of the Free People, the sort who don’t settle down for long. I certainly understand that feeling, for I, too have itchy feet. I like to have a home to return to, but this time in Texas has been the first time in my life I’ve spent this many years in one location.
Laura, of course, is who I always identified with. Driving to Branson, MO, several years ago, I thought I should write about her journey to South Dakota, and later from it, and juxtapose it with my own trips to and from Dakota, especially my trips up the old highway 14, now known (between Shakopee, MN, and De Smet, SD, as the “Laura Ingalls Wilder historical highway.”)
So far, I’ve written nothing, but even thought we’ve never met, I think somehow my story is intertwines with hers.
Is that presumptuous? Maybe.
I don’t remember who wrote the book The Elephant Man on which the movies were based, but I do remember seeing two distinctly different versions of the movie. One was in black and white, and involved prostheses and costumes, and the other…the other creeped me out more because the actor playing John Merrick was not costumed, but playing the part with his naked face, and using only his body language to convey the extreme disfiguration Merrick had to cope with every day.
The latter movie could have been telling a story about someone with severe cystic acne, instead of the bone/skin condition Merrick had, but despite the lack of makeup, the lack of latex body parts and paint, I had no doubt about what I was seeing. Nor did anyone else.
It was my first conscious experience with the power of imagination, of letting the audience (or the reader) fill in the blanks.
I was hooked.
(Update: Amazon says there’s a play by Bernard Pomerance, and a book by Christine Sparks)
I started reading Nero Wolfe mysteries on a bus trip from Ashland, OR, to Fresno, CA when I was in high school. I couldn’t sleep on the bus, and Mr. Wolfe and Archie Goodwin kept me company during the long trek home.
Now, whenever I’m faced with a new or different food, I wonder what Nero Wolfe would think. How would he react to an ingredient like glucosamine sulphate, for example, or what would he think of the new trend toward chemical gastronomy?
Don’t get me wrong, Wolfe was a misogynist, and very much represented the period in which he came into being, but even so, he was a total FOODIE.
Tonight, sitting at the table in the Nicollet Island Inn’s dining room, watching the cold waters of the Mississippi River flowing before me, I ate a Walleye Meuniere with lemon zest foam and ham-hock risotto, and I was blissed out by the food.
But what would Nero Wolf have thought?
I read Population 485 fairly recently. In fact, I’d meant to post a real review of this memoir about a man returning to his Wisconsin roots just before we got the call to race to Iowa.
If slimming pills can be found in the form of movies depicting the bloody brutality of mass produced meat, than pills of wisdom can be found in memoirs you don’t think have any direct bearing on the current circumstances of your life.
Translation: I picked up this book several months ago, and forgot I had it, then didn’t read it til I had almost nothing left in my pile. All this week, however, bits of it have been coming back to me – the most simple, and the most poignant. For example, at one point Perry writes about death, saying that it doesn’t really hit you until the last, empty casserole dish has been returned.
The community filled my sister-in-law’s house with food.
I fear what her reaction will be when the last tupperware container has been given back to its rightful owner.
I originally read DAKOTA years ago, just after I’d left South Dakota – I think. I remember thinking that it helped me to understand these prairie women, who can talk about jello salads and cattle with equal ease, who can pluck their own geese, and mix up homemade acne remedies without a thought. It helped me to understand my father-in-law, and to see that church communities are so tight night, in South Dakota, at least, in part because when your nearest neighbor is miles away, it’s comforting to know you have a bond with someone, even if that bond isn’t having lunch once a week, but singing hymns together each Sunday.
Norris’s work is non-fiction, and the language isn’t difficult, but the concepts are almost profound.
I think anyone moving to the prairie from a major city should be handed this book when they get their new driver’s license.