About the book, Irresistible Calling 
- Publication date : August 15, 2025
- Language : English
- Print length : 302 pages
Sean Mitchell was teaching English at a private school in Ohio when the New Journalism piqued his interest and lured him toward a profession that was much harder to crack than he imagined. After an editor in Washington, D.C. finally gave him a chance, he found a calling that would require and reveal multiple skills: editing an “underground” newspaper in his hometown of Dallas, writing magazine length stories about long distance truckers and Z.Z. Top, serving as the Dallas Times Herald’s first rock critic and then its theatre critic, winning national recognition for his reviews.
Moving to Los Angeles to cover Hollywood for the strangely singular and doomed Herald Examiner and then the Los Angeles Times, he profiled stars like Clint Eastwood, Ann-Margret and his irascible former St. Mark’s School of Texas soccer teammate Tommy Lee Jones. While examining the nation’s preoccupation with celebrity, he wondered if journalists like him were part of the problem or part of the solution?
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About the author, Sean Mitchell
Sean Mitchell grew up in Dallas, where he was editor of the city’s first alternative weekly, then a reporter and cultural critic for the Dallas Times Herald, before moving to Los Angeles to cover Hollywood for the Herald Examiner and Los Angeles Times. A graduate of St. Mark’s School of Texas and Brown University, he has also worked as an English teacher, videographer, and designer of custom wood fences.
My Thoughts 
Some memoirs are pleasant enough to skim with a cup of coffee. This one? I devoured it in a single greedy gulp. Irresistible Calling is witty, engaging, and brimming with the kind of lived-in detail that makes you laugh, tear up, and—without even noticing—learn a lot.
Sean Mitchell may technically be a boomer, but his story is timeless. This GenXer found myself nodding along, hooked from page one. He opens in childhood, when a glossy holiday travel magazine inspired his parents to trade a fading Bethlehem, Pennsylvania steel town for the sun-soaked suburbs of Dallas. The 1950s details are spot-on, yet instantly relatable: family yearning for more, neighbors measuring success in conformity, and kids caught in the in-between.
Mitchell’s own path takes him from a prestigious Dallas boy’s school (where he forged friendships with classmates like Tommy Lee Jones) to college during the heyday of the 1960s, and eventually into journalism. His career arc—covering theater, film, and music in D.C., Dallas, and Los Angeles—offers a front-row seat to cultural history. The Hollywood interviews sparkle, but it’s his long, thorny, and wildly entertaining relationship with Jones that steals the show.
Threaded through the anecdotes is a thoughtful meditation on American life: the promise and collapse of the counterculture, the longing of his parents for “something more,” and his own drive to make a mark in the shifting world of newspapers. I especially loved his mother’s journey toward joy and passion, and felt the weight of his father’s quiet disappointment.
Mitchell writes with humor, candor, and a critic’s eye for the telling detail. The result is more than one man’s life story—it’s a cultural time capsule of America from the 1950s through the 1980s.
Verdict: Highly recommended for fans of memoirs, American cultural history, or simply anyone who appreciates a smart, funny, beautifully written life story.
Goes well with: A bottomless diner mug of coffee and a Sunday paper, spread all over the table.


































Like the author who, according to some biographies, “grew up Geographic,” the familiar yellow rectangle that represents the National Geographic magazine has been part of my entire life. Once, I was even on a plane to La Paz, BCS, Mexico when I realized most of the men on the plane were wearing black baseball caps with that logo. It took me a moment to realize they were all photographers on their way to meet the National Geographic Society’s boat for a photography excursion. My point in relating this is that reading about one of the men “behind the scenes” of one of my favorite institutions was a natural choice for me. I love biographies. I grew up on National Geographic magazine and the TV specials and I even had a subscription to National Geographic World, which was designed for kids, when I was ten. When something is imprinted with that yellow rectangle, you know you can trust it.
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