Reviewed Elsewhere:The Flavor Bible by Karen Page and Andrew Dornenburg

The Flavor BibleThe Flavor Bible
by Karen Page and Andrew Dornenburg
Get it from Amazon

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From time to time, I review books for other blogs, ezines and podcasts, but I still want to track what I’ve read. I recently reviewed The Flavor Bible for ALL THINGS GIRL. Here’s the first paragraph:

Although it does contain several recipes, The Flavor Bible, by Karen Page and Andrew Dornenburg, is not a cookbook. It isn’t really a bible either, for that matter. If I had to classify this book it would be half dictionary, half encyclopedia, and all wonderful.

The rest of the review can be found here.

Schuyler’s Monster by Robert Rummel-Hudson

Schuyler's Monster Schuyler’s Monster
by Robert Rummel-Hudson
Get it at Amazon.

Sometime in late 2006 or early 2007, I stumbled across the blog of one Robert Rummel-Hudson, and quickly became engaged. His writing style is upbeat and candid. He’s funny, but isn’t shy about using the word “fuck” when it’s appropriate, and he’s clearly completely devoted to his young daughter, Schuyler. At the time I first “met” his words, he’d just sold his book, and was beginning the long path to publication. When I re-encountered his work about a week ago, sparked by watching Autism: the Musical on HBO, I found that not only had the book been released, but I’d missed the signing in my local bookstore. (We both live in the same metro area, but my end of it is a good hour or so from his end.)

I was disappointed, but vowed to buy the book anyway. That weekend at Borders, among all the new non-fiction about romance, modern philosophy, and diet pills, I saw the book, Schuyler’s Monster, and it was even an autographed copy. I grabbed it, stopped at Jamba Juice, and headed home to read the entire book in one sitting.

I’m not a parent, nor am I particularly interested in children, and I’m generally one to avoid disabled-kid stories like the plague because they tend to be over emotional and / or horribly fluffy. Schuyler’s Monster is neither. Rather, it’s a love story from a less-than-perfect (and therfore more than perfect) father to his (in his word) “broken” daughter.

Why broken? Because Schuyler, for all she’s a bright and mischievous child, has a neurological disorder that not only compromises her fine motor skills, but also makes her unable to form intelligible speech.

The book is as much about Rob’s reaction to his daughter’s disability, and their journey toward helping her work around it as it is an ode to playful and loving father-daughter relationships. Who wouldn’t want a dad who let you watch monster movies, even if you were really too young? I know I would.

This book was moving, yes, but it’s also funny, sweet, nostalgic, and triumphant. Like Rob’s blog, it’s upbeat and blunt. Unlike Rob’s blog, the word “fuck” isn’t used terribly often, if at all. (I should note, I don’t judge blogs by whether or not people curse. I just believe that if “fuck” is the most appropriate expression of frustration, joy, whatever, cheating on it’s use is, well, cheating. I don’t believe people should ever be afraid of language.)

(And actually he doesn’t use it that often in his blog, either).

Seriously, though, it’s a great book. You should read it for the writing alone, even if you don’t like disbled-kid stories, either.

Star Trek: Exodus by Josepha Sherman & Susan Schwartz

Star Trek Exodus
Star Trek: Exodus Book One of the Vulcan’s Soul trilogy
by Josepha Sherman & Susan Schwartz
Get it from Amazon.

Fans of Star Trek have always wondered exactly what it was like when a significant number of Vulcans packed up their belongings like so much Delsey luggage, and moved away to eventually become Romulans. In this trilogy, we find out.

It’s a story that runs in two timelines at once. The first takes place in the days of Surak, and shows us the acts that led up to and caused the Sundering, and the second shows us Spock, Saavik, Uhura, and Chekov rushing off with cooperation from modern Romulans to face down a little known enemy called the Watraii, who are as obscure as they are dangerous.

Both story lines have a mix of action sequences and character sections, which allow us not only to catch up the the characters we know, but also grow to like the original characters we meet.

A further review will be posted when I finish reading the trilogy.

Goes well with peanut butter and jelly sandwiches, and ice cold milk.

Prep by Curtis Sittenfeld

Prep
by Curtis Sittenfeld
published by Random House
published in 2005

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In Prep I was expecting a posh boarding school story where the rich-bitch characters bragged about hotel deals in exotic foreign countries and wore designer clothes to class.

Instead, I got the story of one Lee Fiora, a young girl from Indiana who decides that boarding school sounds like a romantic sort of thing, applies to several, gets a scholarship, and is then obligated to go. We follow Lee through her four years of school at Ault, meet her roommates, glimpse her classes, but just as Lee never really connects with anyone there (largely through her own choosing), I felt that we never quite connected with Lee.

I was somewhat of a loner in high school as well, and stories of individuals who are gloomy are not always the most appealing things to read, but unlike Lee, I was never bitter, and while I’d never care to go BACK, my high school experience was mostly positive. That being said, I confess to finding boarding schools romantic when I was thirteen or fourteen and I wonder if I’d have ended up as dark and depressed as Lee had I gone to them.

Somehow, I suspect not.

Nevertheless Prep was an interesting read, if only from the standpoint of Lee’s life being compelling in the same way in which a train wreck is.

Goes well with a stiff drink.

Amy and Isabelle


by Elizabeth Strout

Continuing the recent trend of reading books about mother-daughter relationships, I picked up Amy and Isabelle because I liked the cadence of the title, and found myself in a slow novel, not in the plodding sense of the word, but in the sense that this was a story of gradual emergence.

The book opens on a hot summer day in an office where there is no air conditioning, and while the period is never specified, the mention of typewriters and and lack of computers, or even any specific office supply other than such things as legal pads and Papermate pens puts us in the late sixties to early seventies.

We are introduced to both characters, Amy, the teenaged daughter of single mother Isabelle, within the first few pages, and while the rest of the novel does peel away their layers – Isabelle was raped by a family friend, never married, and has an unrequited crush on the boss, while Amy is discovering sex and lust and is openly attracted to her substitute math teacher – I never got past the feeling of wanting the story to really BEGIN.

It’s a slow tale, of people who live slow, quiet lives, and while the details are impeccable, I was left unsatisfied. Some undefinable “something’ is missing from Strout’s work.

The Amber Spyglass

by Philip Pullman

There are books that you can read while laying flat on a mattress, and there are books you have to sit up to read. The Amber Spyglass, the final installment in the His Dark Materials trilogy is one of the latter. Despite the fact that I was nursing the cold that wouldn’t die while reading it, I was completely upright, reading about Lyra and Will, and their final journey through the world of the dead, and back to their own separate universes, finding love, and maturity, along the way.

Is it wrong of me to wish that my Zorro-dog was really a daemon like Pantalaimon, not for the shape-changing feature (which goes away once you reach a certain level of maturity anyway) but for the ability to communicate? As I was reading about Lyra and Pan I was often distracted by their relationship, wishing I could explain to Zorro why he’s taking all these pills.

Even so, it was a satisfying end to the story, and I’m probably going to pick up Lyra’s Oxford as well.

The Subtle Knife

by Philip Pullman

If reading fantasy novels that made you think counted as using exercise equipment I would be incredibly buff, because this week, I finished The Subtle Knife, the second novel in the His Dark Materials trilogy that opened with The Golden Compass.

In this installment of Lyra’s story, which opens in “our” version of Earth rather than hers, we meet young Will Parry, son of a missing adventurer and a mother who has clearly had a grief-induced nervous breakdown. Will accidentally finds a doorway to another world, which just happens to be the same world Lyra arrives on following the end of the first book. They eventually join forces, helped along the way by Lee Scoresby, Iorek Byrneson (the armored bear king), witches, angels, and human scientists, as they must also outwit not only Lyra’s mother (Mrs. Coulter) but her father the previously-assumed-to-be-a-white-hat Lord Asriel.

While this is very much a middle novel, setting up relationships and feeding us information to prepare us for book three (which I also finished this week), it was still a satisfying read. Lyra and Will both develop from precocious kids into complex characters, and learn to use their innate skills (like lying and storytelling, or the art of not being noticed) to help their cause.

There is, of course, much talk about Dust, or elementary particles, of Shadows and Spectres and Angels, but it is in no way smarmy or pandering. These books may technically be targeted to young adults, but there’s a reason they’re found in the general sci fi/fantasy section of most bookstores.

The Goddesses of Kitchen Avenue (Again)

Last week, I wrote about my frustration with the book The Goddesses of Kitchen Avenue, by Barbara Samuel. I’m please to report that we’ve worked out our issues, and I’m in a place of enjoyment with the book.

Any frustration I had is partly my own fault. The cover art features a cafe table with a lovely blue tablecloth, and a bunch of coffee mugs and glasses, a couple of desserts, and many women gathered around, sharing the food. We don’t see their faces, but we can see that they are friends.

I bought the book in flagrant defiance of the “Don’t Judge a Book by Its Cover” rule, because I liked the picture, and then, I became frustrated when it wasn’t a happy cozy cafe book, but a deep look at fractured relationships. Just because I’m writing a happy cozy cafe book, I expect everything to be like that.

Anyway, I’ve set it aside while I finish a Trek novel for review later this weekend, and will review it formally sometime next week.

Frustration: The Goddesses of Kitchen Avenue

This is not a review. Why? Because you can’t review a book if you haven’t read the whole thing, and after a week of attempts I’m still only about forty pages into Barbara Samuel’s The Goddesses of Kitchen Avenue.

The cover blurb made it seem like a book I’d like – a story about different women coming together in friendship.

The structure is one I would normally find refreshing – it’s told partly in reproduced email messages, partly in first person accounts. It’s different stories braided together.

But I can’t get into it. I can’t get to the zone – you know the one? – where you’re totally sucked into the story, and just can’t read fast enough, and you can hear/taste/see the people and places described? I can’t get there. And so I’m frustrated. I mean, I could be reading about Tampa real estate, and it would be more gripping than this book.

I’ve read reviews of Goddesses…. that praise it, and call it brilliant and wonderful. Is there something wrong with me, that I just don’t see it?

Is it a flaw in the book, or just a sign that I’m supposed to be writing, not reading, right now?

Sometimes, the best thing you can do is put a book aside, and go back to it later. I’m afraid I’ll have to do that with this book.

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