About the book, No Oil Painting 
A respectable septuagenarian steals a valuable painting and later tries to return it, with a little help from her friends.
Bored National Trust volunteer, Maureen, steals an obscure still life as a giant up-yours to all those who’ve discounted her. The novice fine art thief is rumbled by some fellow room guides, but snitches get stitches, camaraderie wins out and instead of grassing her up, they decide to help.
Often written off as an insipid old fart, Maureen has a darker side, challenging ingrained ideas of how senior citizens should behave. Her new set of friends make her feel alive again. No longer quite so invisible, can this unlikely pensioner gang return the now infamous painting without being caught by the Feds?
I wrote this after hearing a radio interview in which an art detective revealed how a stolen Titian was dumped at a bus stop outside Richmond station. In a red, white and blue plastic bag! I just couldn’t shake such a compelling image. I volunteered at Ham House for many years, and my passion for this Jacobean gem, together with the volunteers’ indomitable spirit, gave birth to my unlikely anti-hero.
With over five million members, the National Trust is a huge British institution. Yet, next to nothing has been written about it in terms of contemporary fiction. Until now.
While No Oil Painting explores themes of insignificance and loneliness in older age, particularly for women, it is mainly intended to entertain and offer a small haven in dark, uncertain times.
Buy, read, and discuss this book:
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About the Author, Genevieve Marenghi 
With a BA in English and Philosophy, Genevieve worked for eleven years at the Weekend FT, where she helped create and launch How To Spend It magazine.
She volunteered for years as a National Trust guide at Ham House. This became the setting for her debut art heist novel, No Oil Painting, which was listed for the inaugural Women’s Prize Trust and Curtis Brown Discoveries, and was published by Burton Mayers Books on 10th October 2025.
Her writing uses dark humour to probe the difference between our perception of people and their true selves. The gulf between what is said and what is meant. She considers people watching an essential skill for any writer; overheard snippets of conversation or a bonkers exchange at a bus stop are like gold nuggets. She’s been known to follow people to catch the end of a juicy conversation or argument. Women aged over fifty are essentially invisible anyhow and she views this as a kind of superpower.
Unlike her protagonist Maureen, she hasn’t used this to commit art theft. Yet.
Connect with Genevieve
Giveaway – UK Residents Only
Giveaway to Win National Trust chocolate, and a Ham House towel and fridge magnet (Open to UK Only)
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Enter to Win National Trust chocolate, and a Ham House towel and fridge magnet (Open to UK Only)
My Thoughts 
There is something irresistibly delicious about a crime novel that hands the spotlight to someone the world tends to overlook. Genevieve Marenghi’s No Oil Painting introduces Maureen, a septuagenarian National Trust volunteer who has spent a lifetime playing by the rules… right up until she decides not to. A cheeky lunch-table game — the sort of hypothetical mischief people joke about but never act on — becomes the spark that sets her audacious adventure in motion. Before long she is scheming, sweating, and slip-sliding her way through an ill-advised art heist that is equal parts chaos and charm.
What makes the novel shine is not the theft itself, although the caper is delightful. It is Maureen’s emotional landscape that lingers. Her great-niece is leaving for New York, her favorite painting is slated for relocation, and the soft, creeping loneliness of late life presses in on her. Rather than succumb, she lunges headfirst into trouble. The heist becomes her rallying cry, a way to shake off invisibility and rediscover purpose. The friends who join her — instead of reporting her — supply the heart of the story, proving that chosen community is sometimes the most life-saving kind.
Maureen is funny without being caricatured, vulnerable without being fragile. Her escapade becomes a gentle reminder that senior citizens contain multitudes, that adventure does not expire, and that sometimes the wildest thing you can do is insist on mattering. I found her journey both hilarious and unexpectedly moving, especially as a reader eyeing that demographic from not-too-far away. The whole book reads quickly, but it leaves a warm afterglow long after the final page.
It helps that Marenghi’s timing feels almost prescient. With its October 2025 publication date aligning with the very real October 2025 Crown Jewels caper at the Louvre, the novel gains an unintended relevancy. Art theft is having a moment, apparently, and Maureen’s pint-sized rebellion slots right into the cultural conversation.
No Oil Painting entertains, uplifts, and subtly encourages the reader to imagine their own cheeky museum caper. Hypothetically, of course. Mostly.
Goes well with: a steaming cup of builder’s tea, a shortbread biscuit, and the quiet thrill of plotting an imaginary art heist with your favorite partner in crime.
