Last month, I reviewed Anna Castle’s historical mystery Murder by Misrule. Anna was kind enough to also grant me an interview, which we conducted via email. As you can see, she’s funny, interesting, and as unique as the book (series, actually) she’s created.
Melissa A. Bartell (MAB): Before we talk about your novel Murder by Misrule, let us get to know you. If you had to pick an historical figure to represent every 5-7 years of your life, who would they be and why?
Anna Castle (ANNA): This question is too hard for me! First, I’m not a navel-gazer; there are a hundred things I would rather think about than my personal history. Second, as a writer of historical fiction, it’s my job to uncover the complex layers of the people of the past, not to sum them up with short labels.
It does sound like a fun game to play with the clan after Thanksgiving dinner, though. You could put historical figures on cards and let people draw one and decide who it matched, at what period of their life. (OK, I’m going to patent that idea, but I’ll split it with you, since it was your question.)
MAB: What draws you to historical fiction? What draws you to write at all?
ANNA: The time-traveling: writing stories is my way of working through the past and figuring out how a person could live and work and play back then and over there.
As for writing, when it’s going well, it’s the most fun thing there is. It’s like building and exploring at the same time, without any sharp things nicking your fingers or clouds of mosquitos swarming around your head.
MAB: You chose Francis Bacon as the lead in your novel; what about his story made you want to put him in a mystery?
ANNA: He’s the natural choice. Bacon was the most articulate advocate of inductive reasoning: study the facts, formulate a hypothesis, test, and refine.
He didn’t actually do much in the way of either scientific or criminal investigation, but he spent a lot of time thinking and writing about how such investigations ought best to be pursued.
All I do is put him on task by giving him urgent problems to solve.
MAB: There’s a big difference between contemporary Texas and Elizabethan England. What challenged you the most in creating your version of that period?
ANNA: The weather! Summer in Texas lasts from May through October. It seldom snows in Austin. We do not have fog. We rarely get that chilly drizzle that is so typical of English weather, nor that sweet, soft, delicious spring rain. Love that rain! Mad dogs and Englishmen go out in the summer sun; maybe made cats and Texans go out in the winter rain.
One of the main reasons I go there is to inhabit their climate, see where the sun stands and how the wind blows. It surprises me every time that I can walk outdoors in a wool sweater in June and not be hot. I’ve even gotten sunburned in England! Who’d’ve thunk it?
MAB: Were there any cultural similarities that surprised you when you were doing research? If so, what?
ANNA: Not so much. Sixteenth century England is the root of both our cultures, after all. I’m as much like the people of Bacon’s time as a modern Englishwoman; more, maybe, in terms of dialect. I’m there to study the past, so I only pay enough attention to contemporary culture to keep from getting run over by a bus.
It does seem to me that English and American cultures are in many ways reconverging, since we swim in the same big media pool. I am sometimes surprised by the depth of familiarity with American history that crops up in British television. Like one detective saying to the other, “Houston, we have a problem,” or “Not quite ‘How did you enjoy the play, Mrs. Lincoln?'” Tiny bits, but ubiquitous.
MAB: This novel is set in the period of Misrule. Tell us a bit about that, and why you picked it as the perfect time of year for a murder mystery?
ANNA: I remember thinking of the first murder as a demented chase scene through the yew labyrinth in the Queen’s garden, drunken retainers from a pageant at the nearby Accession Day festivities chasing a sore-footed barrister. I liked the topsy-turviness of that scene. It got cut somewhere around draft 3, but it was the seed from which the rest of the story sprang.
I connected it to Gray’s Inn when I learned that they used to make a big deal of the season of Misrule. Young law students were obliged to remain in residence over the Christmas break, both to keep them from coming back late for the January term and to give them some of the social polish their parents expected them to acquire.
These restless young gentlemen had to be entertained. Why not bump a few of them off to make things more interesting?
MAB: Aside from Francis Bacon, do you have a favorite character in your novel? If so, who, and why?
ANNA: I love all my characters, even the villains. Even the walk-ons and the snivelly ass-kissers. So I don’t have a favorite, but I do have an avatar, so to speak — Mrs. Anabel Sprye. She’s me, which is why she’s writing a book.
MAB: Is there a specific scene in the novel that you’re particularly proud or fond of? Can you share it with us?
ANNA: This is one of those questions that’s easy to pose and impossible to answer. Pick a scene, any scene — I sweat them all. Far easier to point out the scenes that fell short of my grandiose dreams, but that would be foolish and self-defeating and we don’t go there.
MAB: Francis Bacon spends a lot of time reading. Similarly, the writers of our own time are also readers. What are some of your favorite books and authors? What are you reading now?
ANNA: All writers are readers first. If not, they shouldn’t be writing.
On my desk at this moment: John W. Weatherford, Crime and Punishment in the England of Shakespeare and Milton (proof that I couldn’t invent anything half as wacky as the truth); Anthony Esler, The Aspiring Mind of the Elizabethan Younger Generation (a fascinating if somewhat strained 60’s psychological analysis of my main guys); and my Kindle, on which I’m reading Eric Mayer & Mary Reed’s 10 for Dying; Katie Graykowski’s Perfect Summer; and Shakespeare’s Works.
MAB: What’s a typical day in the life of Anna Castle? Take us through one.
ANNA: I get up a little after daylight and screw around on the net for 30 minutes or so while drinking that all-important first cup of coffee. Then I write through lunch. Then I do chores or similar, go to the gym, come back and do writing biz for as long as it takes. And then my day is done.
Sometimes I break early to have lunch with a friend, which I like better than going out for dinner. Sometimes I blow it all off and go hiking.
MAB: Writing can be a solitary activity. How do you deal with it?
ANNA: Writing is most assuredly a solitary activity. That’s one of the things we like about it. If we wanted a busy environment, we would get jobs. I like the solitude. I like the silence. I like living in the past inside my head.
MAB: What advice would present-day Anna give to her sixteen-year-old self?
ANNA: Do not smoke that cigarette.
MAB: Will there be more Francis Bacon mysteries? What’s next for you?
ANNA: There will indeed be more. Book 2 is due to my editor on Sunday. Plot-a-thon for book 3 is slated for August, but probably going to get slipped to September because I think book 2 needs a lot of editing. Then again, I always think that at this stage.
I have another series of humorous regional modern mysteries in the sub-genre formerly known as ‘cozy’ which I plan to launch sometime in the coming year, as soon as I can think of a tagline that doesn’t sound like Prince’s new name.
And there are short stories leaping up and down in the back of my mind clamoring for attention. I’m looking forward to getting back into my newly rehabbed house and writing up a perfect storm.
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