09 | April | 2026 | Bibliotica

About the book, No More Tomorrows

Publisher ‏ : ‎ Independently published
Publication date ‏ : ‎ February 3, 2026
Language ‏ : ‎ English
Print length ‏ : ‎ 410 pages
Scroll down for Giveaway (UK Residents Only)

Two eras. One aching heart.

1917 – At Cambridge University, American scholar Harry Turchin never expects to lose himself to desire. But Annie Mackenzie—soft-spoken, grieving, and luminous—claims his heart from their very first kiss. Their love is swift, fierce, and intoxicating. Married just days before Harry is sent to war, their passion is ripped apart when the trenches claim everything he knows, and Harry is thrown into a future that should not exist.

1967 – The free-spirited sixties are alive with rhythm, rebellion, and possibility. Harry awakens to a world he doesn’t recognise—and to Annalise Taylor, as bold and captivating as the era itself. Brilliant, independent, and achingly alive, she rouses a desire he thought belonged solely to the past.

Caught between the love he was ripped away from and the passion he cannot resist, Harry is torn between two women, two lives, and two versions of forever. Because time will not bend twice … Or will it?

Sweeping from the blood-soaked battlefields of World War One to the fevered nights of the swinging sixties, No More Tomorrows is a sensual time-slip romance about desire, devotion, and the devastating power of love that refuses to be bound by time.

Buy, read, and discuss this book:

Amazon (US) | Amazon (UK) | Goodreads

About the author, Olivia Lockhart

Olivia Lockhart (Livvie to her friends) is an English author who can’t quite decide if she wants to write contemporary romance, historical romance, or paranormal romance. So she writes them all, because it HAS to be romance!

She loves to write about the underdog, the one who got away, the bits of love stories we can all relate to.

When not writing she can be found drinking wine, cuddling with her beloved pooch, or with her head in a book.

Connect with Olivia:

Instagram | X (Twitter)

My Thoughts

I am an easy mark for time travel, fish-out-of-water stories, and novels that play with structure, so No More Tomorrows was already speaking my language. Once it opened with that beautifully presented letter—rendered in a way that makes it feel personal and immediate—I was all in. It sets the tone perfectly for a novel that is as interested in longing and connection as it is in plot.

What makes this story work so well is that it is not simply one romance dropped into an unusual situation. It is a true parallel narrative, and both halves carry equal emotional weight. Harry’s life in 1917, and his connection with Annie, is not a prologue to be brushed aside. It is full, immediate, and deeply felt. At the same time, what unfolds in 1967 with Annalise is vivid, electric, and impossible to dismiss as anything less than real.

Layered over that is the novel’s central question, and it is a powerful one: where does Harry belong? This is not just about choosing between two women. It is about choosing between two lives—between the past that shaped him and the future that is asking him to become someone new. The tension isn’t theoretical, either. The story keeps that question active, pressing gently but persistently: does he stay in the 1960s and build something new, or does he find a way back to 1917, to the life that was taken from him? That uncertainty gives the entire book its forward pull.

Lockhart and Lambert handle that balance with care. Harry feels consistent across both timelines—reserved, marked by war, not always equipped to articulate what he feels, which makes his emotional journey all the more compelling. Annie and Annalise are distinct and fully realized in their own right, which is essential. Annie brings a quiet, aching tenderness to the earlier timeline, while Annalise meets Harry with intelligence, confidence, and a refusal to be anything less than fully present. Neither relationship feels like a placeholder for the other, and that is what makes the stakes land.

The epistolary elements are one of my favorite aspects of the novel. Letters allow us to see what characters are willing to admit when they believe no one is watching—or when they are writing across a distance that may never be crossed. It adds a layer of intimacy that suits a story built on separation, time, and longing, and it ties the two timelines together in a way that feels organic rather than gimmicky.

The settings are equally strong. The wartime sections carry weight and shadow, while the late-sixties academic world feels alive with movement, change, and possibility. Harry’s displacement isn’t just chronological; it’s cultural, emotional, and deeply personal, which makes the 1967 sections particularly engaging.

I should also note that I am still coming to terms with 1967–68 being considered historical fiction, since I was born in 1970, and frankly that feels a little rude. Still. Fine. I accept the paperwork.

If you enjoy romance that asks bigger questions—about time, identity, and what it means to choose a life—this is a satisfying and emotionally layered read that lingers well beyond the final page.

Goes well with: a strong cup of coffee, a stack of old letters tied with ribbon, and a vinyl record playing something a little wistful in the background.

Giveaway (UK residents only)

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