About the book, Pictures of the Shark
- Short Stories / Southern Fiction / Coming of Age
- Publisher: Texas Review Press
- Date of Publication: July 12, 2022
- Number of Pages: 205 pages
- Scroll down for Giveaway!
A sudden snowfall in Houston reveals family secrets. A trip to Universal Studios to snap a picture of the shark from Jaws becomes a battle of wills between father and son. A midnight séance and the ghost of Janis Joplin conjure the mysteries of sex. A young boy’s pilgrimage to see Elvis Presley becomes a moment of transformation. A young woman discovers the responsibilities of talent and freedom.
Pictures of the Shark, by Houston native and Dobie Paisano award-winning author Thomas H. McNeely, traces a young man’s coming of age and falling apart. From the rough and tumble of Houston’s early seventies East End to the post-punk Texas bohemia of late eighties Austin, this novel in stories examines what happens when childhood trauma haunts adult lives.
PRAISE FOR PICTURES OF THE SHARK:
- “McNeely’s brilliant stories are filled with delicious menace and heartbreaking hope.” – Pamela Painter, author of What If? Writing Exercises for Fiction Writers and Fabrications: New and Selected Stories
- “In these gorgeously crafted interlinked stories, Thomas McNeely demonstrates once again an uncanny ability to illuminate the darkest emotional corners of his characters with a vision that is as tender and compassionate as it is unflinching.” – Antonio Ruiz-Camacho, author of Barefoot Dogs
- “With masterful prose, McNeely draws you down into emotional depths where your ambivalence and confusion show you at your most profoundly human. These stories hook you quickly and deeply and keep you even after they end. – C.W. Smith, author of Steplings, Buffalo Nickel, and Understanding Women
Buy, read, and discuss this book:
About the author, Thomas H. McNeely
Thomas H. McNeely is an Eastside Houston native. He has published short stories and nonfiction in The Atlantic, Texas Monthly, Ploughshares, and many other magazines and anthologies, including Best American Mystery Stories and Algonquin Books’ Best of the South. His stories have been shortlisted for the Pushcart Prize, Best American Short Stories, and O. Henry Award anthologies. He has received National Endowment for the Arts, Wallace Stegner, and MacDowell Colony fellowships for his fiction. His first book, Ghost Horse, won the Gival Press Novel Award and was shortlisted for the William Saroyan International Prize in Writing. He currently teaches in the Stanford Online Writing Studio and at Emerson College, Boston.
Connect with Thomas:
WEBSITE | FACEBOOK | TWITTER | AMAZON | GOODREADS
Connect with Texas Review Press
My Thoughts
I love short stories. I mean, I love novels and biographies, but it takes a special kind of talent to tell a complete story in a relatively few words. In his eight-story collection, Pictures of the Shark, Thomas H. McNeely shows that he has a great amount of talent, and is using it wisely.
To be honest, he had me at the word “scraggly,” used to describe someone’s beard. I use that word, but most people I know (and most people I read) do not, so when I saw that word in the opening story, “Snow, Houston, 1974,” I knew that I would love the language this author uses, and I was not wrong. His stories are somber, even dark, but his prose rises from the page, and grabs you by the wrists demanding that you pay attention.
I found myself shivering when six year old Buddy Turner experiences his first snow in 1974. Having lived through two extreme winter storms in Texas (Dallas county, in my case, but still rare) I was hit in the gut with the description of the aftermath:
“Now, the weatherman reported gas fires and burst water mains and houses whose roofs had caved in. Some neighborhoods, he said, were without electricity or telephones. Buddy began to worry about Grandma Liddy. Grandma Liddy and he made plans to buy a cassette recorder with cigarette coupons, to write President Nixon and ask him why he lied, to build a miniature city out of matchboxes and toilet paper rolls. They had already started the city, chalking streets on the threadbare carpet in his mother’s old room.”
It’s simple language, matter of fact, and almost Hemingway-esque at times, but it’s effective.
In addition to McNeely’s use of language, I also appreciated his ability to find and convey the emotional tone of every piece. The early stories in Buddy’s life (though not necessarily in the book, as it jumps around in time a little) have threads of hope running through them. The stories where Buddy is older and disillusioned feel darker and have a bitter quality. The pieces where we see Buddy as a young man are laden with sadness and wasted possibilities. And yet, not a single story was dull or made me want to skim it. Rather, I was riveted. “Hester,” especially, had me fascinated because it’s really the only story where we have another perspective, and see Buddy through another person’s eyes.
Speaking of people, Buddy, his mother (Margot) and his father (Jimmy) are the central characters, and each one is interesting on their own. Buddy, of course, is the boy whose family is unhappy, and who seems to know too much and not enough, afraid of becoming his father, but also so close to doing so. Everything I learned about Margot made we wish for a collection from her perspective – her youth and young womanhood. Jimmy is a perfect tragic figure, and some of the scenes, where he seems about to resort to violence, but doesn’t, had me flashing back to my own memories of an abusive partner my mother once had.
In fact, the only reason I didn’t read all eight of these stories in one sitting was that the emotions were so vivid and plausible that I had to step away.
In the beginning of his book, Anna Karenina, Leo Tolstoy wrote, “All happy families resemble one another, but each unhappy family is unhappy in its own way.” In Pictures of the Shark, Thomas H. McNeely has given us a visceral look at an extremely unhappy family, and shown us how that unhappiness echoes through all their lives. This is made most evident in the final entry in this collection, “Little Deaths:”
“I’d come to the University as a National Merit Scholar, but now lived off my mother’s credit card. I never visited my mother, because she reminded me both of my rotten childhood and my receding promise: my AP classes, my high school English honors, the expectation even by my family that I would become a writer.”
Buddy Turner may never have become a successful author (or maybe he did, that’s for another collection) but his creator, Thomas H. McNeely has given us a masterpiece in gray tones and grim feelings.
Goes well with: black coffee and anisette toast.
Giveaway
FOUR WINNERS!
2 winners: autographed copy of Pictures of the Shark
2 winners: autographed copy of Pictures of the Shark
+ editorial critique of an excerpt (up to 20 pages) from an unpublished short story or novel.
(US only; ends midnight, CDT, 7/15/2022)
Visit the Other Great Blogs on this Tour
CLICK TO VISIT THE LONE STAR LITERARY LIFE TOUR PAGE FOR DIRECT LINKS TO EACH POST ON THIS TOUR, UPDATED DAILY, or visit the blogs directly:
| 7/5/22 | Excerpt | Shelf Life Blog |
| 7/5/22 | BONUS Promo | Hall Ways Blog |
| 7/6/22 | Review | Boys’ Mom Reads |
| 7/6/22 | BONUS Promo | LSBBT Blog |
| 7/7/22 | Guest Post | All the Ups and Downs |
| 7/8/22 | Review | Bibliotica |
| 7/9/22 | Excerpt | StoreyBook Reviews |
| 7/10/22 | Playlist | Forgotten Winds |
| 7/11/22 | Review | Jennie Reads |
| 7/12/22 | Author Interview | Rox Burkey Blog |
| 7/13/22 | Review | Reading by Moonlight |
| 7/14/22 | Review | The Book’s Delight |
blog tour services provided by
In 1917, during the construction of a large reservoir in the Catskill hamlet of Gilboa, New York, a young paleontologist named Winifred Goldring identified fossils from an ancient forest flooded millions of years ago when the earth’s botanical explosion of oxygen opened a path for the evolution of humankind. However, the reservoir water was needed for NYC, and the fossils were buried once again during the flooding of the doomed town.
Peter is a writer, architect, and educator. He is Emeritus Professor at The New School, Parsons School of Design in New York City, where he taught design and wrote on matters of environmental philosophy, design theory, and social practices in the built and natural worlds. Peter comes from a family of writers with an abiding affection for the natural world. His uncle Peter Matthiessen was a three time National Book Award winner, and his brother Jeff Wheelwright is a writer of environmental non-fiction. Educated at Trinity College where he studied painting and sculpture, he went on to receive his Master in Architecture from Princeton University. As an architect, his design work has been widely published in both the national and international press. The Kaleidoscope House, a modernist dollhouse designed in collaboration with artist Laurie Simmons is in the Collection of Architecture and Design at the Museum of Modern Art.
About the book: Shapeshifting: Stories
Michelle Ross’s collection of short stories, Shapeshifting, is a haunting, provocative anthology focusing on motherhood and womanhood, and how the two are intertwined.
Tour Stops
I am a 63 year old Accountant who semi-retired to explore my love of creative writing. In my career I held Board level jobs for over twenty five years, in private, public and third sector organisations. I was born in Coventry, a city then dominated by the car industry and high volume manufacturing. Jaguar, Triumph, Talbot, Rolls Royce, Courtaulds, Massey Ferguson were the major employers, to name but a few.
AMES SHELDON: was born in Minneapolis, Minnesota, and grew up in Wayzata, Minnesota. After graduating from Northrop Collegiate School, she attended Bryn Mawr College, where she majored in English. After graduating, she worked in the legal department of a chemical company, as a reporter at two newspapers, as office manager of a start-up auto salvage business, and eventually as a grant writer and development officer for a variety of nonprofit organizations, ranging from the Sierra Club in San Francisco to the Minnesota Historical Society and the Minneapolis Public Library. She has an M.A. in American Studies and was lead author and associate editor of the groundbreaking Women’s History Sources: A Guide to Archives and Manuscript Collections in the United States (R.R. Bowker, 1979). In the process of working on this monumental reference book, Ames discovered her love of women’s history and of using primary sources for research. Her debut novel, Eleanor’s Wars, won the 2016 Benjamin Franklin Gold Award for Best New Voice: Fiction. Her second novel, Don’t Put the Boats Away, was published on August 27, 2019, by She Writes Press. Her third novel, Lemons in the Garden of Love, will be published in 2021.
With the cloud of the Holocaust still looming over them, twin sisters Bronka and Johanna Lubinski and their parents arrive in the US from a Displaced Persons Camp. In the years after World War II, they experience the difficulties of adjusting to American culture as well as the burgeoning fear of the Cold War.
Meryl Ain’s articles and essays have appeared in Huffington Post, The New York Jewish Week, The New York Times, Newsday and other publications. In 2014, she co-authored the award-winning book, The Living Memories Project: Legacies That Last, and in 2016, wrote a companion workbook, My Living Memories Project Journal. She is a sought-after speaker and has been interviewed on television, radio, and podcasts. She is a career educator and is proud to be both a teacher and student of history. She has also worked as a school administrator.
Low Water Crossing is a tribute to those who endure heartache and nevertheless celebrate, to those who wait—and live full lives while waiting.
Dana Glossbrenner has lived in West Texas all her life. She is the author of Women Behind Stained Glass: West Texas Pioneers (non-fiction) and The Lark: Book 1 of the Sulfur Gap Series.
• Paperback: 
Lee Matthew Goldberg is the author of THE DESIRE CARD, SLOW DOWN and THE MENTOR from St. Martin’s Press. He has been published in multiple languages and nominated for the 2018 Prix du Polar. The second novel in The Desire Card series, PREY NO MORE, is forthcoming. THE ANCESTOR will be out from All Due Respect books in 2020 along with a reissue of his debut novel. His pilots and screenplays have been finalists in Script Pipeline, Book Pipeline, Stage 32, We Screenplay, the New York Screenplay, Screencraft, and the Hollywood Screenplay contests. After graduating with an MFA from the New School, his writing has also appeared in the anthology DIRTY BOULEVARD, The Millions, The Montreal Review, The Adirondack Review, Essays & Fictions, The New Plains Review, and others. He is the co-curator of The Guerrilla Lit Reading Series(guerrillalit.wordpress.com). He lives in New York City.
The Ancestor is one of those novels that isn’t easily categorized. It’s sort of a fantasy, in that one of the main characters is introduced to us when he wakes up after being frozen into the Alaskan ice for the better part of a century, but it turns into a thriller/suspense novel once he encounters Travis Barlow and decides they must be related, and that Barlow’s family is the key to his own identity and purpose. More than any of these, though, the language and imagery in this novel elevate it to literary fiction.
Visit the Other Blogs on This Tour
